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SO GOOD

A fast-moving, plot-rich, slapdash but entertaining first novel aimed at the audience that inhaled Waiting to Exhale. The story is set among Washington, D.C.'s middle-class black community and follows the romantic trials of three thirtysomething African-American friends. It opens with Lisa, a bubbly Ph.D. candidate, attending the wedding of pal Sundi and falling head- over-heels for handsome fellow guest Walter—a slightly shady, divorced accountant. Sundi, shrugging off the worries of Lisa and the third friend, Lisa's married sister, Danielle, is wedding a conservative Nigerian named Chris in a ceremony combining African and African Methodist Episcopal rituals—a combination of cultures that becomes a running theme. But while Lisa doubts whether Sundi, a successful entrepreneur, will be able to maintain her independence once hitched to dogmatic Chris, she has no doubts about marriage itself—she craves it. So, rapidly, she dates and marries Walter—and that's when her real troubles start. Walter, rumored to be bisexual, turns out to be a drug addict and is soon suspended from his job. When Lisa throws away his dope stash, he beats her, and she flees. Meanwhile, sister Danielle moves out of her house—the one she shares with kind, considerate husband Roger and their four-year-old daughter—and rushes into a hot affair with a young black stud in her advertising office. And Sundi's marriage is quickly deteriorating as Chris becomes ever more domineering. But there's good news in store for each of them: After many twists of plot, Sundi teaches Chris to compromise; Danielle returns to wonderful Roger; and Lisa—after much soul-searching and waffling- -divorces Walter, then happily finds a new love, a ``black Tootsie Roll'' in a well-cut suit. Characters, including Lisa, remain shallow, and the plot is full of lapses. But the depiction of issues, fast pace, and tone of enlightened self-help will have wide appeal. A sure-to-be-read debut. (Literary Guild selection; author tour)

Pub Date: Aug. 19, 1996

ISBN: 0-525-93885-0

Page Count: 256

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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