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THE LONELY LIONESS AND THE OSTRICH CHICKS

A lonely lioness and a resolute mother ostrich take center stage among a cast of African animal characters in this model Aardema retelling of a Masai folktale. As in Who's in Rabbit's House? (1977), Aardema (Jackal's Flying Lesson, 1995, etc.) bases the tale on a version from her 1969 Tales for the Third Ear (o.p.). Her simplified, uncluttered tale with a modified ending contains many ingredients of good storytelling: villain and trickster, threat of danger, the seemingly weak outwitting the strong, and animals with human foibles. When a lioness, who would be happy with even one cub, sees four ostrich chicks, she impulsively steals them and calls them her own. Mother Ostrich solicits help from a gazelle, a hyena, a jackal, but it's the clever mongoose who outsmarts the lioness. Aardema uses repetition and pacing along with sounds based on African ideophones to tell this tale of a mother's unwavering determination to protect and rescue her vulnerable children from the lioness's misplaced longings. Setting the tale apart are Heo's subtle, distinctive paintings with African motifs in a fresh and unexpected primitive folk style. Unique compositions and perspectives, combined with a subdued palette that uses all the greens, golds, and ochres of the grasslands, challenge existing geometric notions of African art. (Picture book/folklore. 3-8)

Pub Date: Oct. 1, 1996

ISBN: 0-679-86934-4

Page Count: 32

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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HOW TO MAKE AN APPLE PIE AND SEE THE WORLD

What if the market was closed when you wanted to bake a pie? You could embark for Europe, learn Italian en route, and pick up some semolina wheat in Italy, an egg in France, kurundu bark for cinnamon in Sri Lanka, and an entire cow in England (butter) before coming home via Jamaica (sugar) and Vermont (apples). The expertly designed illustrations in which a dark-haired lass journeys by various means to these interesting places to get her groceries are lovely and lively, and the narrative, too, travels at a spritely pace. The journey is neither quite logical enough to be truly informative nor quite bizarre enough to be satisfyingly silly, while the rich, sweet recipe that's appended will take some adult assistance. Still, fun. (Picture book. 4-8)

Pub Date: May 2, 1994

ISBN: 0-679-83705-1

Page Count: 32

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1994

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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