A witty and complex portrait of a woman becoming herself.
A coming-of-age story set in Italy and filled with humor and neuroses.
When Veronica falls ill with rheumatic fever as a child, her father—whose pastimes include building walls in their apartment, worrying about radiation, and yelling—is overjoyed that someone in their family is actually sick and wraps Vero in paper towels because he’s convinced that sweating will harm her. Later, Vero’s mother, not to be outdone in an unspoken competition of maladjusted parenting, calls Vero on the phone several times a month to say that her brother, Christian, has died, all because he didn’t immediately respond to his mother's texts. Vero’s childhood and adulthood are on full display in this novel, as we are invited into her home to witness the absurd, the loving, and the traumatic. She navigates an isolated childhood during which she and Christian watch children play in the courtyard below their apartment but are not allowed by their parents to join in. (In one particularly distressing yet absurd moment, they witness the neighborhood children playing soccer using a toad in lieu of a ball.) There is also Vero's adolescence, full of first loves, best friends, and familial abuse, and an adulthood spent trying to reconcile it all through her writing. Raimo weaves together a series of nonlinear vignettes with a deft hand, connecting seemingly disparate moments through themes of longing, loneliness, identity, and, perhaps most profoundly, the concept of memory itself: “But how can you reconcile with something or someone if your memories are hazy? If they change in the very process of forming? They can take away everything but our memories, people say. But who would ever be interested in that kind of expropriation?”
A witty and complex portrait of a woman becoming herself.Pub Date: June 27, 2023
ISBN: 9780802162045
Page Count: 224
Publisher: Black Cat/Grove
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Come for the riveting father-son mystery, stay for the most beautiful and moving mother-son story in recent memory.
Losing Mom: heartfelt autofiction from a man who just may be Bob Dylan’s son.
“‘Uncanny, the way you look like him. Bob Dylan. You know his music?’” As soon as you encounter the premise of Sussman’s debut novel, you will surely Google him, and see that his resemblance to the man who wrote “Girl From the North Country” is somewhere beyond uncanny. Sussman has also published an article in Harper’s Magazine that explains the real-life basis of the novel—his mother’s year-long relationship with Dylan and a later meeting nine months before he was born. He magicks this material into a gorgeous, emotionally thrilling first-person novel chronicling the death of the narrator Evan’s mother from cancer, a period during which she finally shares more of the truth about her connection with Dylan, as well as other stories of her life, some terrible and some amazing. All of this has been completely hidden from Evan till now, despite the fact that he and June were very close in his childhood. Their emotional intimacy was built on play-acting and storytelling, on King Arthur and Harry Potter (the Potter saga is a surprising and important touchstone throughout), and also fraught due to her stormy relationships with his stepfather and other men. Despite these romantic disappointments, and things far worse than disappointment, June persists in believing, and wanting her son to believe, that there is nothing holier than love. As the novel opens, she has called him in London—Evan has lived abroad since college—to tell him she has cancer, though she withholds the seriousness of her condition for most of the book, continuing to pursue both holistic and Western treatment. The night he arrives, she serves him an alfresco dinner of homegrown vegetables: “The eggplant lay gleaming on its browned back. Beets glowed blood red. Crisped collard and kale lay entangled in the baking tray. In the pan the bloomed popcorn was spiced and golden.” They recite poetry to each other to bless the meal. The love that swells beneath this scene, and every scene, will just about knock you over.
Come for the riveting father-son mystery, stay for the most beautiful and moving mother-son story in recent memory.Pub Date: Sept. 16, 2025
ISBN: 9780593835050
Page Count: 336
Publisher: Penguin Press
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
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