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ALLEGIANT

From the Divergent series , Vol. 3

Though flawed, the story provides a thought-provoking metaphor for crucial conflicts of adolescence, as have its...

Does identity come from biology, upbringing or our own choices? The question becomes urgently concrete in the bleak final entry of this blockbuster dystopian trilogy.

After the explosive climax of Insurgent (2012), Tris, Tobias (or “Four”) and their friends manage to escape a city torn between the tyranny of the factionless and the uprising of the Allegiant, who want to restore virtue-based divisions. Once outside, they run into the Bureau, which secretly controls the city as a generations-long experiment in healing “genetic damage.” Revelations pile upon revolutions, revenge fights with reconciliation, until Tris and Tobias are each led to their ultimate choices—where courage, selflessness, peace, wisdom and truth converge into love. Tris and Tobias alternate narrating brief chapters in unfortunately indistinguishable voices. Their choppy, staccato prose, interspersed with occasional arresting images, is a style well suited to the opening and closing sections of dramatic action but only accentuates the dragging pace of the repetitive, overstuffed middle. While the “science” behind the Bureau’s machinations is impossible gobbledygook, the corrosive effects of bigotry ring painfully true. The tragic conclusion, although shocking, is thematically consistent; the bittersweet epilogue offers a poignant hope.

Though flawed, the story provides a thought-provoking metaphor for crucial conflicts of adolescence, as have its predecessors. (Dystopian adventure. 12 & up)

Pub Date: Oct. 22, 2013

ISBN: 978-0-06-202406-0

Page Count: 544

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: Oct. 28, 2013

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AT THE END OF EVERYTHING

A gripping story about marginalized citizens navigating a global pandemic.

The Hope Juvenile Treatment Center, run by private corporation Better Futures, is home to 31 young adults and the harsh, abusive officers who guard them.

When yersinia pestis modernis, a new strain of the medieval plague, rips through the country, leaving death and destruction in its wake, the guards at the Hope Center, indifferent to their teenage charges’ fates, abandon their posts. Left to fend for themselves in a world that forgot about them during a crisis, the kids left behind in a remote part of the Ozarks have to learn how and whom to trust and, above all else, what to do in order to survive. When Leah falls ill, Grace, Emerson, and Logan (who is Leah’s twin sister) work together to keep each other safe as best they can despite facing disease and death. Nonbinary Emerson is grappling with their Catholic faith, and neurodiverse Logan rarely speaks, communicating with Leah using their own invented sign language. The beautifully written, lyrical prose enhances this riveting, fast-paced thriller that may hit very close to home for readers struggling through the Covid-19 pandemic. The alternating first-person narratives and interspersed phone call transcripts keep readers close to the action and occasionally will bring them close to tears. Main characters are White; the supporting characters are racially diverse.

A gripping story about marginalized citizens navigating a global pandemic. (content warning, trans support resource, author's note) (Thriller. 14-18)

Pub Date: Jan. 25, 2022

ISBN: 978-1-4926-7315-6

Page Count: 320

Publisher: Sourcebooks Fire

Review Posted Online: Oct. 25, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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GWEN & ART ARE NOT IN LOVE

Frankly a delight.

A lively queer Camelot for modern audiences.

Several hundred years after the time of the fabled king Arthur Pendragon, Gwendoline and her older brother, Gabriel, are princess and prince of Camelot. Gwen has been betrothed since birth to Arthur Delacey, whose father’s family claims ancestry from Mordred. Gwen’s first problem with this arrangement is that she and Arthur hate each other. The second is revealed when Arthur comes to the royal castle for the summer tournament in which knights compete for renown—and Gwen catches him making out with a servant boy. But then Arthur obtains proof of Gwen’s obsession with Lady Bridget Leclair, England’s only female knight and a competitor in the tourney. Engaging in mutual blackmail, they form an understanding, though over the course of the summer it turns into an initially begrudging, then supportive friendship, especially when Arthur starts learning more about heir-to-the-throne Gabe. In this fun summer romance, Croucher creates main characters who feel distinctly modern in their dialogue and interactions. They maneuver through the historical setting, including social expectations and limited medical care, in ways that both seem natural and often offer commentary on more current affairs. This is a wonderful expansion of the YA romance genre. Gwen and her family are white, and she is coded queer and demisexual. Arthur is Iranian on his mother’s side and coded gay, as is Gabe. There is additional diversity in the supporting cast.

Frankly a delight. (Historical romance. 13-18)

Pub Date: Nov. 28, 2023

ISBN: 9781250847218

Page Count: 416

Publisher: Wednesday Books

Review Posted Online: July 31, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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