by Victor del Árbol ‧ RELEASE DATE: May 22, 2012
A deftly plotted thriller that combines narrative momentum with literary ambition.
A prize-winning novelist with police experience in his native Spain, Del Arbol deserves to expand his international readership with his first work to be translated into English. It’s basically the story of three families who discover how tightly their fates are intertwined. Though the plot crosses international borders and leaps back and forth across the decades, piling intrigue upon intrigue in the process, the author does a masterful job of keeping the story both clear and suspenseful. One narrative strand concerns a hospitalized lawyer in the early 1980s who is accused of helping a prisoner escape after she had successfully helped convict him of murder. The second begins 40 years earlier, when a beautiful aristocrat plots to murder her fascist husband, but finds herself betrayed by the man she loves. The third features the family of the man who tutors the younger son that the aristocrat leaves behind. Though the coincidences of suicides, dead mothers and wives, and the sins of the parents being visited upon their children, might strain credulity, they underscore the novel’s theme of “the absurd circular path of...destiny,” of how “the past is never forgotten; it’s never wiped clean” and, ultimately, of how “there are scars that never heal...but we have to keep going with what we are.” As the mystery unfolds, the lawyer discovers terrible truths about her father, which tie her in a deeper and darker way than she had realized to the police officer whose conviction had seemed like a blow to corruption, yet more likely was evidence of political corruption at higher levels. The reader will find this more compelling than confusing. A literary page-turner.
Pub Date: May 22, 2012
ISBN: 978-0-8050-9475-6
Page Count: 400
Publisher: Henry Holt
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
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by Victor del Árbol ; translated by Lisa Dillman
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by Victor del Árbol ; translated by Lisa Dillman
by Emily Brightwell ‧ RELEASE DATE: Sept. 24, 2019
Not exactly groundbreaking, but fans will enjoy this cozy Christmas addition to a long-running series.
Christmas is nigh, and there’s a murder to solve.
Inspector Nivens may have ambitions far beyond his local posting, but he’s so hapless as a detective that it’s no surprise when he loses a sensitive case involving the murder of well-to-do Margaret Starling in her yard to Inspector Gerald Witherspoon of the Metropolitan Police. Witherspoon, whose record is stellar, is independently wealthy, good-natured, and unaware that for years his staff and friends, especially his clever housekeeper, Mrs. Jeffries, have fed him the clues that have been indispensable in closing his murder cases (Mrs. Jeffries Delivers the Goods, 2019, etc.). Determined to solve the puzzle of Margaret’s murder before Christmas, Witherspoon’s staff scatter throughout the neighborhood of the Starling residence, each of them searching for clues using their questioning methods tailored to every social stratum of Victorian London, from the housemaid to the well-heeled neighbors. Margaret’s recent odd behavior seems to have something to do with the Angel Alms Society of Fulham and Putney, where she was a generous donor who served on the advisory board. She was also suing Mrs. Huxton, her next-door neighbor, whom she accused of trying to ruin her reputation. Alibis are tested and possible enemies questioned. The suspects range from that neighbor to Margaret’s deceased niece’s husband to the vicar of St. Andrew’s Church, all of whom have reason to be angry with her. Mrs. Jeffries struggles to get on the right track as other members of the amateur detective group pass information to Witherspoon’s constable, who’s in on their scheme. It all comes down to love or money.
Not exactly groundbreaking, but fans will enjoy this cozy Christmas addition to a long-running series.Pub Date: Sept. 24, 2019
ISBN: 978-0-451-49224-1
Page Count: 288
Publisher: Berkley
Review Posted Online: July 14, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Anthony Horowitz ‧ RELEASE DATE: June 6, 2017
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome...
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A preternaturally brainy novel within a novel that’s both a pastiche and a deconstruction of golden-age whodunits.
Magpie Murders, bestselling author Alan Conway’s ninth novel about Greek/German detective Atticus Pünd, kicks off with the funeral of Mary Elizabeth Blakiston, devoted housekeeper to Sir Magnus Pye, who’s been found at the bottom of a steep staircase she’d been vacuuming in Pye Hall, whose every external door was locked from the inside. Her demise has all the signs of an accident until Sir Magnus himself follows her in death, beheaded with a sword customarily displayed with a full suit of armor in Pye Hall. Conway's editor, Susan Ryeland, does her methodical best to figure out which of many guilty secrets Conway has provided the suspects in Saxby-on-Avon—Rev. Robin Osborne and his wife, Henrietta; Mary’s son, Robert, and his fiancee, Joy Sanderling; Joy’s boss, surgeon Emilia Redwing, and her elderly father; antiques dealers Johnny and Gemma Whitehead; Magnus’ twin sister, Clarissa; and Lady Frances Pye and her inevitable lover, investor Jack Dartford—is most likely to conceal a killer, but she’s still undecided when she comes to the end of the manuscript and realizes the last chapter is missing. Since Conway in inconveniently unavailable, Susan, in the second half of the book, attempts to solve the case herself, questioning Conway’s own associates—his sister, Claire; his ex-wife, Melissa; his ex-lover, James Taylor; his neighbor, hedge fund manager John White—and slowly comes to the realization that Conway has cast virtually all of them as fictional avatars in Magpie Murders and that the novel, and indeed Conway’s entire fictional oeuvre, is filled with a mind-boggling variety of games whose solutions cast new light on murders fictional and nonfictional.
Fans who still mourn the passing of Agatha Christie, the model who’s evoked here in dozens of telltale details, will welcome this wildly inventive homage/update/commentary as the most fiendishly clever puzzle—make that two puzzles—of the year.Pub Date: June 6, 2017
ISBN: 978-0-06-264522-7
Page Count: 464
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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edited by Anthony Horowitz ; series editor: Otto Penzler
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