An epic muddle, all in all.
In typically buoyant cartoons, Williams presents a précis of Hugo’s epic.
It’s hard to imagine an illustrator less suited to this exhausting story and vice versa. In sequential panels large and small, Valjean and the other characters appear in picturesquely patched and rumpled costume. The background slums, sewers and, in later scenes, barricades are atmospherically stained and littered with detritus, but even during the most desperate and tragic events there are smiles and stage antics on view. Small birds, busy rats and cats, sprigs of garland and like decorative motifs add entertaining distractions within the pictures and along the borders of every page. Furthermore, even if portions of the dialogue enclosed in the speech balloons are credibly translated from the original, some of them have a jarringly jocular ring: “Since I am not arrested and I have things to do, I’m going”; “The old geezer and his daughter are on their way.” In contrast to the lively, fluidly drawn watercolors, the lines or blocks of narrative running beneath every picture offer a dry, past-tense plot summary that may possibly be helpful to assignment-driven slackers but go on long enough to try the interest of younger readers.
An epic muddle, all in all. (Graphic fiction. 10-13)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-7476-2
Page Count: 64
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK REVIEW
Fast-moving but let down by questionable omissions.
The efforts of six New Jersey kids to prevent the Nazis from winning World War II continue in this sequel to Westfallen (2024).
In 1944, Alice, Lawrence, and Artie struggle to correct their catastrophic error that, as Alice repeatedly has it, “DESTROYED THE FUTURE.” In 2023, Frances and Henry desperately research the changed history that finds the U.S. transformed into the Nazi-controlled tributary state of Westfallen. Jewish Lukas is largely confined, unable to help them or reach the magic shed that houses the radio that allows the kids to communicate across time, putting him at risk of losing his memories. Meanwhile, in 1944, Lawrence collects scrap metal alongside a kid who grows up to be a patient in the Home for Incurables, where Henry works in 2023. Could that kid hold the key to restoring the timeline? In this volume, Lawrence and Frances join Alice and Henry as first-person narrators, depriving Lukas and Artie of narrative agency. This lack is particularly distressing in Lukas’ case, as his isolation is affecting his personality. It falls to Henry and Alice to prod him into action—which is unfortunate for a novel that never names the Holocaust and omits persecution of the Jews from Alice’s father’s explanation of Nazi ideology (although antisemitism is an obvious feature of life in this alternate timeline). The crackling pace can’t obscure these lapses. Alice, Artie, and Frances are white, Lawrence is Black, and biracial Henry is Black and white.
Fast-moving but let down by questionable omissions. (Science fiction/thriller. 10-13)Pub Date: Sept. 16, 2025
ISBN: 9781665950848
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
It’s great to see these kids “so enthusiastic about committing high treason.” (historical note) (Historical fiction. 10-12)
Near the end of World War II, two kids join their parents in a plot to kill Adolf Hitler.
Max, 12, lives with his parents and his older sister in a Berlin that’s under constant air bombardment. During one such raid, a mortally wounded man stumbles into the white German family’s home and gasps out his last wish: “The Führer must die.” With this nighttime visitation, Max and Gerta discover their parents have been part of a resistance cell, and the siblings want in. They meet a colorful band of upper-class types who seem almost too whimsical to be serious. Despite her charming levity, Prussian aristocrat and cell leader Frau Becker is grimly aware of the stakes. She enlists Max and Gerta as couriers who sneak forged identification papers to Jews in hiding. Max and Gerta are merely (and realistically) cogs in the adults’ plans, but there’s plenty of room for their own heroism. They escape capture, rescue each other when they’re caught out during an air raid, and willingly put themselves repeatedly at risk to catch a spy. The fictional plotters—based on a mix of several real anti-Hitler resistance cells—are portrayed with a genuine humor, giving them the space to feel alive even in such a slim volume.
It’s great to see these kids “so enthusiastic about committing high treason.” (historical note) (Historical fiction. 10-12)Pub Date: April 21, 2020
ISBN: 978-1-338-35902-2
Page Count: 192
Publisher: Scholastic
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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