Something of a jumble, this leisurely, tough/tender saga of homecoming exudes warmth and brio.
A mobster’s daughter has finally returned, in her 80s, to the family’s New Jersey home, and she knows where the bodies are buried—literally.
Honey Fasinga, originally Ilaria Fazzinga, has spent a lifetime distancing herself from her Italian roots. To dodge expectations and bury memories of the brutalities she witnessed while living under the roof of her father, the Great Pietro—whom she loved, hated, and feared—she went to college, studied art, and spent decades living in Los Angeles, working at a prestigious auction house. But now she’s back with a sense of unfinished business, reconnecting, remembering, and trying to resolve the gap between her assured adult self and her violent childhood. Lodato’s new novel circles Honey ceaselessly, resurrecting people and events (some horrible) from her past while introducing new characters to challenge who she is now. Irrepressible neighbor Joss is grappling with Lee, a rough boyfriend. Gentle artist Nathan is attracted to Honey despite their half-century age difference. And what about Honey herself? Feisty, finely dressed, and fond of a drink, she is also suicidal and prone to panic attacks, an uneasy, unlikely meld of arrogance and uncertainty. As she swings between opinions and options, death visits the narrative repeatedly, and so do beatings, notably of Lee and also of Honey’s grandnephew Michael, whose exploration of gender sits badly with the Fazzingas’ “traditional” values, furthering Honey’s sense of distaste and alienation. This nature/nurture debate is the central feature of a story that is long and loose, driven less by plot than by the tireless recording of Honey’s ups and downs involving fine art, elderly indulgences, relationship choices, and a gun. This entertaining, Sopranos-esque mix doesn’t entirely gel, but for all the vacillating, the book does establish one inescapable fact: Honey is family.
Something of a jumble, this leisurely, tough/tender saga of homecoming exudes warmth and brio.Pub Date: April 16, 2024
ISBN: 9780063309616
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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