Dark, darker, and then some. But readers who can take it are in for quite a ride.
The last case between a federal prosecutor and the retirement she craves will take her to some truly harrowing places.
Four weeks after Kathy Pharr was sexually assaulted and beaten to death, police called to another house on Crimson Lake Road made a gruesome discovery with a surprise ending: Though, like Kathy, she’s draped in the trappings of one of 1960s Kenyan painter Sarpong’s four indelible pictures of death, yoga teacher Angela River isn’t quite dead herself. Even so, Cason Baldwin, of the FBI’s Behavioral Science Unit, homicide detective Lucas Garrett of the Las Vegas Sheriff’s Office, and Assistant U.S. Attorney Jessica Yardley of the Special Victims Unit all treat Angela as a second victim of the monster that freelance reporter Jude Chance has dubbed the Crimson Lake Executioner. Since Kathy’s 14-year-old daughter, Harmony, went missing shortly after her mother was killed, the obvious suspect is Kathy’s husband, Tucker, who’s already served time for kidnapping Sue Ellen Jones 18 years ago. But Yardley’s growing friendship with Angela soon diverts her attention from Tucker Pharr to Angela’s live-in lover, ER physician Michael Zachary, and the evidence the police find in Zachary’s garage is as damning as the tone of Angela’s voice when she tells Yardley she never wants to see her again. Confronted in court by the unexpectedly resourceful Dylan Aster, who talks Zachary into accepting his representation and then sets himself resolutely against the presiding judge, Yardley’s forced to consult the expert on painting and serial murder she’d sworn never to see again: her ex-husband, Eddie Cal, who’s been imprisoned ever since sending 12 victims to their graves in A Killer’s Wife (2020).
Dark, darker, and then some. But readers who can take it are in for quite a ride.Pub Date: Feb. 9, 2021
ISBN: 978-1-5420-2094-7
Page Count: 380
Publisher: Thomas & Mercer
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
A standout in the series.
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
SEEN & HEARD
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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