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RAIN OF GOLD

A writer of Mexican-American heritage (Jury, 1977) tells the engrossing saga of his family's immigration to, and subsequent life in, California in the wake of the Mexican revolution. A sort of Hispanic Roots, the book focuses on three generations as they struggle with poverty and prejudice, love and life. When Villasenor was first contracted to write Rain of Gold, it was to be a ``major'' work of fiction. As he began interviewing his relatives for background material, however, he realized that there was a much more important story to tell: the nonfiction account of his family's history. Unable to convince his publisher to go along with his new plans, Villasenor gave back his $75,000 advance, took a $1,500 advance from a lesser-known house, and set about writing ``a history of a people—a tribal heritage, if you will—of my Indian-European culture as handed down to me....'' It was a brave and rewarding decision. From beginning to end, the chronicle is filled with one remarkable story after another. All have the simple warmhearted quality of family tales told around the kitchen table, yet all are eminently believable. Many episodes have to do with overcoming hardships: A daughter is brutally raped and goes blind; a proud mother is forced to become a beggar to support her children; a son admits to a murder he didn't commit in order to collect money for his family. Others deal with love and God and the ``meaning of life.'' The book is heavy-handed and sketchy at times, and bogs down in the second half, but, overall, it's a page-turner. Perhaps not the definitive Hispanic family epic, but an inspiring, fast-paced tale with a simple, fable-like quality that's often surprisingly moving.

Pub Date: Aug. 30, 1991

ISBN: 1-55885-030-9

Page Count: 560

Publisher: Arte Público

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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THE IMMORTAL LIFE OF HENRIETTA LACKS

Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...

A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.

In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.

Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.

Pub Date: Feb. 9, 2010

ISBN: 978-1-4000-5217-2

Page Count: 320

Publisher: Crown

Review Posted Online: Dec. 22, 2010

Kirkus Reviews Issue: Jan. 1, 2010

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JUST KIDS

Riveting and exquisitely crafted.

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Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.

Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.

Riveting and exquisitely crafted.

Pub Date: Jan. 19, 2010

ISBN: 978-0-06-621131-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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