A story that focuses on the competition, love, and anger of sisterhood and the responsibilities of family.
A 29-year-old Manhattan chef who returns home to Sullivan’s Island, South Carolina, when her restaurant-owner grandmother is in a car accident ends up staying for the summer.
Magnolia Adams’ grandmother Rose is her beacon: the light by which she sees the world. After years of prioritizing her own goals of being a chef and working in New York, trying to make her way in the restaurant world, all she has to show for it are a poorly paid job where she is not treated well and an on-again, off-again open relationship with co-worker Ronny. The one highlight is that she lives with her best friend from back home, Jim, an aspiring actor. When her grandmother is put into a medically induced coma after a car accident, Magnolia and Jim race back to South Carolina. Magnolia ends up staying for the summer to help her family—her mother, Lily, who struggles with alcoholism and broken dreams, and her sister, Violet, who's recently found out she's pregnant—and the family’s restaurant, the Magic Lantern, a neighborhood institution that was founded by her great-grandmother Daisy. Things are much more dire than she’d realized, and her mother’s boyfriend, Buster, has all but run the restaurant into the ground. The story follows the complicated relationship of Magnolia and Violet as they work through their respective relationship troubles—Magnolia with Ronny back in New York and Sam Smart in South Carolina, and Violet with her live-in boyfriend, Chris—and as the sisters move on to new things in their efforts to save the restaurant and support each other, their Gran, and their mother. Frank writes in a breezy style that often belies the anger and discontent below the surface of her story, and though her characters are fully formed, she gives them glossy surfaces that tend toward expected gender norms: The women are slim, beautiful, and well dressed, the men are tanned, toned, and quick to offer help.
A story that focuses on the competition, love, and anger of sisterhood and the responsibilities of family.Pub Date: June 6, 2023
ISBN: 9780063286153
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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