Written with urgency, elegance, and grace, Shorr’s novel is a deeply moving account of a family’s suffering.
A woman retraces her great-uncle’s steps through Auschwitz.
Grieving and disoriented at her uncle’s funeral, Consie is handed a letter that seems to indicate something surprising: Another uncle—the uncle’s uncle, in fact—might have escaped Auschwitz. Though his three daughters survived the camp, they’d long presumed both their parents dead. Consie is shocked to hear that Hermann might have staged an escape. In what seems to be the present day, she begins tracking down information—mainly oral testimonies from other Auschwitz survivors—that might indicate what happened to Hermann. One of these, a recording made by Hermann’s oldest daughter, Magda, makes up the crux of Shorr’s very fine novel. It’s a story within a story, and it’s so vividly and urgently written that, reading it, it’s easy to forget about Consie and her search entirely. But when Magda’s story ends, Consie’s continues. Shorr’s prose is powerful but never overblown, and while the details she includes about the suffering endured at Auschwitz might not be entirely new to most readers, the novel as a whole is still deeply moving. There’s also a subtle and very smart commentary running through the book about not only how history is recorded, but how it is then experienced and sometimes resisted. Consie notes how different her reaction to the oral testimonies was compared to her experience reading Hannah Arendt’s Eichmann in Jerusalem.When the book became “so disturbing as to be unbearable, she could still slam it shut and put it back on the shelf.” She could do no such thing with the stories she hears. As for Shorr’s book, you’ll have trouble putting it down at all, much less slamming it shut.
Written with urgency, elegance, and grace, Shorr’s novel is a deeply moving account of a family’s suffering.Pub Date: March 9, 2021
ISBN: 978-0-393-54085-7
Page Count: 272
Publisher: Norton
Review Posted Online: Jan. 13, 2021
Kirkus Reviews Issue: Feb. 1, 2021
An engaging, imaginative narrative hampered by its lack of subtlety.
The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.
In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.
An engaging, imaginative narrative hampered by its lack of subtlety.Pub Date: Nov. 18, 2025
ISBN: 9780593733769
Page Count: 336
Publisher: Random House
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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