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MID-AIR

With its neat corners and tidily resolved patterns, this book is a quiet accomplishment.

One family finds its fortunes on the rise just as another sees its own begin to fall.

The two novellas that make up Shorr’s lovely new book describe the falling, in one, and, in the other, the rising fortunes of two American families. In the first piece, a young couple hosts a dinner party for a few remaining members of the husband’s WASPy family: Uncle Edward, now in his 90s, who still wears a three-piece suit every day; Cousin Betty, who once read all of Proust while pursuing a divorce; Russell, whose father staked the family’s security on a biography he was writing—a definitive one—of Benjamin Franklin only to lose, at the last minute, the only manuscript; etc. In the second piece, Sam White arrives at Ellis Island from what might have been Poland, or Ukraine—somewhere in Eastern Europe, anyway—to a newly anglicized name as well as a new life. Eventually, he acquires a wife, three sons, and an auto wrecking yard in Ohio, and the family’s mobility is rapidly ascendant. In both pieces, Shorr takes the long view, describing years—decades, sometimes—within a single paragraph. In the first piece, this strategy works well. The dinner party provides the perfect framing device for the narrator to shift her gaze from guest to guest. Shorr’s prose is fluid and supple, and the story has a lively movement. The second piece, however, about the White family, becomes bogged down in places. This story is longer and includes more characters and a longer span of time, and though Shorr uses the same quickly moving narrative strategy, it doesn’t work quite as well as it did the first time. Still, her insights are so keen, and her storytelling so elegant and natural, it would be easy to follow her down just about any train of thought.

With its neat corners and tidily resolved patterns, this book is a quiet accomplishment.

Pub Date: May 17, 2022

ISBN: 978-0-393-88210-0

Page Count: 192

Publisher: Norton

Review Posted Online: April 11, 2022

Kirkus Reviews Issue: May 1, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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