Despite its overreach, this is an ambitious portrait of a young actress whose best films are still ahead of her—a first...
The toughest broad in Hollywood gets the Robert Caro treatment.
It’s perhaps beside the point to say that Knopf vice president and senior editor Wilson’s massive biography of Barbara Stanwyck (1907–1990) makes too much of its subject. The first of two volumes, it weighs in at more than 1,000 pages and only takes the subject up to the age of 33. This first installment is as much about the legendary actress’s life as her times: the lavish world of Hollywood as well as the Depression-era reality of people who flocked to see their favorite stars. By placing Stanwyck in this larger context, Wilson seems to be suggesting that she was a key figure of the 20th century, which is, at the least, a bit of a stretch. However, Wilson provides a very real sense of Hollywood as experienced from the inside. Born Ruby Stevens and orphaned at an early age, Stanwyck emerges here as every bit the scrapper she played on screen, an all-consuming whirlwind whose co-stars would be so awestruck that they would often forget their own lines. She wasn’t necessarily the classic beauty; she was the sexy gal who said, “Now get out!” In married life, her toughness varied. She loyally suffered at the hands of her mentor, Frank Fay; on the rebound, she both nurtured and dominated Robert Taylor. While Wilson can lay on the research a bit thick—no salary or household expense gets past her—she deeply scrutinizes every Stanwyck performance up to 1940, letting us see the actress work and, in some key roles—e.g., The Miracle Woman, The Bitter Tea of General Yen and Stella Dallas—really sweat. The author also includes an extensive, mostly helpful series of appendices comprising stage, film, radio and TV chronologies.
Despite its overreach, this is an ambitious portrait of a young actress whose best films are still ahead of her—a first volume that should whet readers’ appetite for the second, provided they have the stamina to stay with it.Pub Date: Nov. 12, 2013
ISBN: 978-0-684-83168-8
Page Count: 1056
Publisher: Simon & Schuster
Review Posted Online: Oct. 19, 2013
Kirkus Reviews Issue: Nov. 1, 2013
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...
Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).
In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.Pub Date: Nov. 24, 2015
ISBN: 978-0-451-49293-7
Page Count: 64
Publisher: Knopf
Review Posted Online: Oct. 31, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.
More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.
In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.
Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.Pub Date: March 10, 2020
ISBN: 978-1-9848-0125-8
Page Count: 352
Publisher: Dial Books
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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