by Vigdis Hjorth ; translated by Charlotte Barslund ‧ RELEASE DATE: Sept. 15, 2020
An unconvincing account of willed self-transformation.
A 35-year-old Norwegian publicist faces an existential crisis in Hjorth's quirky, unsettling novel.
Hjorth hangs her plot on a footnote in Norwegian history. In 2011, the European Union demanded that the Norwegian postal service allow competition in the delivery of letters weighing less than 50 grams, and the postal union fought back. The novel imagines narrator Ellinor as part of a ragtag three-person publicity company that is reduced by a third when Dag, who is supposed to be handling the postal union's account, suddenly quits, sails away, and commits suicide. Ellinor, who often can't remember what she did a day or an hour ago and who yearns “for a breakdown. To surrender to it and be carted off to a quiet and balmy place far away,” at first feels that the boredom of the account may push her over the edge, but then she commits to allowing the passion and enthusiasm of the union members to give her own life meaning. Unfortunately for the reader, unhinged Ellinor is far more fascinating than the Ellinor who exults in the intricacies of letter delivery and the details of converting people to the union cause. Just when it seems that Ellinor may be able to lift herself out of the depths of trying to make sense of her old diaries and focus on the people around her, including a newly pregnant sister and a newish boyfriend with a son from an earlier relationship, she becomes obsessed with the postal union. Her friends and family, insufficiently developed as characters, fall to the narrative wayside, and the reader is left trying to work up some interest in arcane matters. Though it's tempting to suspect that Hjorth is taking a nuanced view of Ellinor's obsession, ultimately it seems that we're supposed to conclude that it's straightforwardly noble, and it grows increasingly hard to care about either Ellinor or her redemption.
An unconvincing account of willed self-transformation.Pub Date: Sept. 15, 2020
ISBN: 978-1-78873-313-7
Page Count: 208
Publisher: Verso
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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by Vigdis Hjorth ; translated by Charlotte Barslund
BOOK REVIEW
by Vigdis Hjorth ; translated by Charlotte Barslund
by Tommy Orange ‧ RELEASE DATE: Feb. 27, 2024
A searing study of the consequences of a genocide.
A lyrical, multigenerational exploration of Native American oppression.
Orange’s second novel is partly a sequel to his acclaimed 2018 debut, There There—its second half centers on members of the Red Feather family after the events of the first book. But Orange moves the story back as well as forward. He rewinds to 1864’s Sand Creek Massacre, in which Natives were killed or displaced by the U.S. Army. One survivor (and Red Feather family ancestor), Jude Star, is a mute man imprisoned and sent to Carlisle Indian Industrial School, one of several institutions designed to strip Native Americans of their history and folklore. As Orange tracks the generations that follow, he suggests that such schools did their jobs well, but imperfectly—essential traces of Native heritage endure despite decades of murder, poverty, and addiction. That theme crystallizes as the story shifts to 2018, depicting Orvil Red Feather’s struggles after he was shot at a powwow in Oakland, California. His path is perilous, especially thanks to a school friend with easy access to addictive pain medications. But Orvil doesn’t quite lose his grip on history, whether that’s through stories of his mother participating in the 19-month Native American occupation of Alcatraz from 1969 to 1971, or cowboys-and-Indians lore he contemplates while playing Red Dead Redemption 2. “Everyone only thinks we’re from the past, but then we’re here, but they don’t know we’re still here,” as Orvil’s brother Lony puts it. Orange is gifted at elevating his characters without romanticizing them, and though the cast is smaller than in There There, the sense of history is deeper. And the timbre of individual voices is richer, from Orvil’s streetwise patter to the officiousness of Carlisle founder Richard Henry Pratt, determined to send “the vanishing race off into final captivity before disappearing into history forever.” He failed, but this is a powerful indictment of his—and America’s—efforts.
A searing study of the consequences of a genocide.Pub Date: Feb. 27, 2024
ISBN: 9780593318256
Page Count: 336
Publisher: Knopf
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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by Tommy Orange
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PERSPECTIVES
SEEN & HEARD
by Anna Quindlen ‧ RELEASE DATE: March 12, 2024
While Quindlen may lean too hard on the hope motif at the end, this is an emotionally satisfying, absorbing story.
When the title character dies suddenly of an aneurysm, her husband, four children and best friend must deal with their grief and find a path forward.
Annie Fonzheimer grew up in small-town Greengrass, Pennsylvania, and never left. She married “too fast and too young” when she got pregnant by local boy Bill Brown, a plumber by trade. Annie works long hours as an aide at a nursing home and tends to her four children, ages 6 to 13, in a small house that belongs to her mother-in-law, the prickly Dora. But Annie, high-spirited and much adored, is content with her “lovely reliable” life, even if it’s not exactly what she’d expected. She’s a vibrant presence in this novel, despite getting bumped off in the first sentence. Quindlen weaves Annie’s backstory with an account of her survivors, who suffer mightily in her absence. Without her mother, eldest child Ali watches over her younger siblings and navigates a friendship with a girl who harbors a disturbing secret. Best pal Annemarie, whom Annie helped save from drug addition, must decide if she can persevere without her friend’s steadying hand. And Bill, who wasn’t sure about marrying Annie at first—and then found he couldn’t imagine life without her—must sort out his feelings for a woman he was involved with before his wife. Quindlen, whose own mother died when she was 19, is good at this sort of domestic drama, elevating material that might seem over-familiar, even maudlin in other hands; the well-drawn characters and sharp observations keep the reader engaged. “Maybe grief was like homesickness,” Bill muses at one point, “something that wasn’t just about a specific person, but about losing that feeling that you were where you belonged….” Actually, not a lot happens until the novel’s final section, in which, arguably, too much happens.
While Quindlen may lean too hard on the hope motif at the end, this is an emotionally satisfying, absorbing story.Pub Date: March 12, 2024
ISBN: 9780593229804
Page Count: 304
Publisher: Random House
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
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