An unconvincing account of willed self-transformation.
A 35-year-old Norwegian publicist faces an existential crisis in Hjorth's quirky, unsettling novel.
Hjorth hangs her plot on a footnote in Norwegian history. In 2011, the European Union demanded that the Norwegian postal service allow competition in the delivery of letters weighing less than 50 grams, and the postal union fought back. The novel imagines narrator Ellinor as part of a ragtag three-person publicity company that is reduced by a third when Dag, who is supposed to be handling the postal union's account, suddenly quits, sails away, and commits suicide. Ellinor, who often can't remember what she did a day or an hour ago and who yearns “for a breakdown. To surrender to it and be carted off to a quiet and balmy place far away,” at first feels that the boredom of the account may push her over the edge, but then she commits to allowing the passion and enthusiasm of the union members to give her own life meaning. Unfortunately for the reader, unhinged Ellinor is far more fascinating than the Ellinor who exults in the intricacies of letter delivery and the details of converting people to the union cause. Just when it seems that Ellinor may be able to lift herself out of the depths of trying to make sense of her old diaries and focus on the people around her, including a newly pregnant sister and a newish boyfriend with a son from an earlier relationship, she becomes obsessed with the postal union. Her friends and family, insufficiently developed as characters, fall to the narrative wayside, and the reader is left trying to work up some interest in arcane matters. Though it's tempting to suspect that Hjorth is taking a nuanced view of Ellinor's obsession, ultimately it seems that we're supposed to conclude that it's straightforwardly noble, and it grows increasingly hard to care about either Ellinor or her redemption.
An unconvincing account of willed self-transformation.Pub Date: Sept. 15, 2020
ISBN: 978-1-78873-313-7
Page Count: 208
Publisher: Verso
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
A quietly profound debut that asks what we would really do if we believed we would die within the next few seconds.
The end of the world is nigh—or is it?
Cellphones all over the small Western Massachusetts town of Beckitt light up with the terrifying announcement of an incoming ballistic missile, propelling some of the town’s citizens into radical action and leaving others frozen helplessly in place. After it turns out to have been a false alarm, the fallout of those first brief moments may, in some ways, prove almost as devastating as the disaster itself would have been. Yu’s debut novel follows many characters through the time before and after that life-changing moment. Some of the characters are closely related; others come together briefly by chance, but each, in their own way, is indelibly affected by that fateful day. Among them: a mother, struggling with a secret, impetuously texts her daughter something that might cause irreparable damage. A music-school dropout and budding bluegrass musician is starting to feel he has nothing to live for when a chance encounter with a kindly server at the Anchor Grill might turn his fortune around. Across town, a normally responsible husband and father acts out of instinct, convincing his wife she’s seen his true colors and may never be able to forgive him. In the midst of the rippling effects of that choice, the man—who has spent his entire career at the PR firm his father founded—desperately grasps for a narrative that will hold his once-picture-perfect life together. For some of the characters, it’s a dramatic action that changes everything; for others, it’s the failure to act. The novel twists and turns into the private and public lives of the characters, offering a quirky, often funny, and sharply rendered peek into small-town life and the moments, large and small, that ripple out beyond our horizon of perception.
A quietly profound debut that asks what we would really do if we believed we would die within the next few seconds.Pub Date: May 5, 2026
ISBN: 9781250410122
Page Count: 304
Publisher: Flatiron Books
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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