A darkly insightful examination of mother-daughter relationships that captivates with the suspense of a thriller.
A Norwegian artist probes the rift between her mother and herself.
Johanna is a widowed painter nearly 60 years old, her son grown and with a child of his own, who's been estranged from her mother and sister for nearly three decades. When asked to prepare a retrospective of her work in Oslo, her hometown, Johanna uproots her life and moves back there. Rather than focus on painting, however, Johanna dwells on how she once again lives in the same city as her mother and sister. One night, after a few glasses of wine, Johanna calls her mother; when she doesn’t pick up, Johanna begins to fill the silence between them with her own best guesses of her mother’s thoughts. “I use words to create my image of you,” she thinks. The novel follows Johanna as she recalls her childhood and catalogs the events that culminated in her estrangement—such as her decision to leave her first husband, Thorleif, and abandon her family-sanctioned legal studies to marry her art teacher, Mark, and pursue painting in America. Johanna’s obsession quickly escalates from that phone call to full-blown stalking. As she sifts through her mother’s garbage and lurks on the stairs of her mother’s apartment building, she's compelling in her desire to understand what it means to be a fully grown woman and yet still need your mother. The novel's strength lies in its deft use of psychological analysis as it looks at this relationship through one lens after another. While it's full of metaphorical hauntings, it's most plaintive in Johanna’s desire to have a conversation with her mother. The novel falters in its resolution, but Johanna’s intelligence and emotion still captivate. Like a wounded animal in her need and grief, Johanna cries, “I made myself homeless and homeless I am, and my anguish will not be stilled. Hailstones lash the window and teeth gnaw at the walls, steel knuckles bang on doors, paws maul, creatures sigh, wanting to get in, the terror arrives, the great darkness rises from the forest and the sky hangs low over me like a stone.”
A darkly insightful examination of mother-daughter relationships that captivates with the suspense of a thriller.Pub Date: Oct. 25, 2022
ISBN: 978-1-83976-431-8
Page Count: 352
Publisher: Verso
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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