Sophisticated, slightly daffy poke at our Masters of the Universe.
A pretty Marseillaise, a pretty grim Corsican and a happily pessimistic hedge-fund manager get themselves into a pretty fix with world shattering results, in the second novel from Berberian (The Cyclist, 2002).
Wayne is the very young and very successful manager of Empiricus, a hedge fund built on the belief that there is always something nasty lurking around the corner and that bubbles always burst. While the rest of the world searches for the Next Big Thing, Wayne and Empiricus search for the Next Awful Thing. And it doesn’t matter what: Political upheaval. War. Disease. There’s always trouble somewhere, and always money to be made if one spots the disaster while everyone else looks for the silver lining. One little pocket of trouble is on Corsica, where a cardboard manufacturer is about to breathe its last, further worsening the woeful economy of the depressed French province, further depressing an anti-global local known to Alix, his architectural student sweetheart in Marseilles, and to Wayne, who has been dumping the cardboard company stock, only as the Corsican. But Wayne, never completely satisfied with letting nature schedule her own disasters, has uses for the Corsican. He also has hopes for an eventual meeting with Alix, with whom he has been corresponding. Alix is a rather fey thing, given to spending nights under the stars on the rooftops of the local high rises. Although she rather fancies Wayne, whom she has yet to meet, she still has liaisons with the Corsican. Wayne has more than a romantic interest in Alix; he’s having her ship diagrams of prominent architectural landmarks, drawings that will find their way, marked with Alix’s signature, into the hands of the Corsican. When Wayne and Alix finally meet, they strike sparks. And more sparks.
Sophisticated, slightly daffy poke at our Masters of the Universe.Pub Date: June 1, 2007
ISBN: 978-0-7432-6723-6
Page Count: 192
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2007
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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