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THE AFFLICTIONS

A haunting take on the ills of flesh and soul.

An archaic world struggles with strange maladies in this darkly whimsical meditation on human discontents.

In a quasi-medieval land where science is still subordinate to church metaphysics, Senhor José, the monkish Head Librarian at the Central Library, introduces an apothecary named Máximo to the collection’s greatest treasure: the Encyclopaedia Medicinae. Perusing it, they discover short treatises on improbable ailments that combine physical disease with mental anguish, social antagonism and spiritual malaise. These include a reverse amnesia that causes everyone you know to forget who you are; a skin ulceration that expands with sinful behavior and shrinks with good deeds; a toxin that causes people to perceive the unbearable truth about the world; an infection that causes peasants and aristocrats to talk like each other; a hallucinatory fever that compels sufferers to create mediocre art; a collective ailment that causes groups of five people to share a single consciousness; and a syndrome that makes corpses return to life—a phenomenon that threatens “to topple the magnificent edifice of philosophy, art and literature” by undermining faith in the finality of death. Paralkar, a hematologist and researcher at the University of Pennsylvania, sketches these mythical misfortunes in brief, elegant entries written as if by a physician-philosopher, setting out the preposterous specifics of symptoms, diagnoses and treatments beside mock scholarly debates over etiology and final ruminations on existential import. One school of thought characterizes membrum vestigiale, a wing growing out of the shoulder blade, as “a disease of truncated ambitions…of some yearning within man to escape limits nature places on him.” There’s no plot here and really nothing to this slight book except feuilletons, but Paralkar’s tragicomic imagination, sly sendup of pseudo-Latinate medical prose and fine sense of irony make for an arresting read.

A haunting take on the ills of flesh and soul.

Pub Date: Oct. 31, 2014

ISBN: 978-1941360026

Page Count: 182

Publisher: Lanternfish Press LLC

Review Posted Online: Jan. 8, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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