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TRANSFER OF POWER

The prose is pedestrian, the plotting predictable, the characters comic strip, and the end long in coming. (Author Tour)

            Second-novelist Flynn (Term Limits, 1998) returns, this time with an overstuffed political thriller about bad guys kidnapping the White House.

            With the President in it – though at first he’s presumed safe, hunkered down in his custom-built bunker, having been spirited there just in time by the Secret Service.  The main meanie is one Rafique Aziz, zealot, all-around nutcase, and valued henchman of Saddam Hussein.  Rotten to the core understates it for Aziz.  He won’t even let his hostages go to the bathroom.  He has over a hundred of them, and the deal is the US either complies with his demands – (1) release Iraq’s frozen assets, (2) end the onerous Iraqi blockade, and (3) support a free and autonomous Palestinian state now! – or he shoots a hostage an hour.  To demonstrate his bona fides, he dispatches a couple on national TV.  It’s a crisis that cries out for Mitch Rapp, the CIA’s top counterintelligence operative, “the most efficient and lethal killer in the modern era of the Agency.”  Mitch, code name Iron Man, who lost his high-school sweetheart in Pan Am flight 103 and has been relentlessly vengeful ever since, gains access to the White House.  Bloody-minded Aziz booby-traps everything in sight.  Meanwhile, power has now been transferred to the Vice President, who proves himself a double-dealing sneak and errant coward.  Mitch rescues a female hostage and falls in love.  A lot of people get their heads blown off by MP-5 submachine guns.  When at last the President is saved, he tells Mitch and his mates how much the country owes them.  The reply:  “I was just doing my duty.”  But where is the dastardly Aziz?  Unfortunately, it takes an epilogue to do him in.

            The prose is pedestrian, the plotting predictable, the characters comic strip, and the end long in coming.  (Author Tour)

Pub Date: July 6, 1999

ISBN: 0-671-02319-5

Page Count: 416

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1999

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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PRETTY GIRLS

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that...

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  • Kirkus Reviews'
    Best Books Of 2015


  • New York Times Bestseller

Twenty-four years after a traumatic disappearance tore a Georgia family apart, Slaughter’s scorching stand-alone picks them up and shreds them all over again.

The Carrolls have never been the same since 19-year-old Julia vanished. After years of fruitlessly pestering the police, her veterinarian father, Sam, killed himself; her librarian mother, Helen, still keeps the girl's bedroom untouched, just in case. Julia’s sisters have been equally scarred. Lydia Delgado has sold herself for drugs countless times, though she’s been clean for years now; Claire Scott has just been paroled after knee-capping her tennis partner for a thoughtless remark. The evening that Claire’s ankle bracelet comes off, her architect husband, Paul, is callously murdered before her eyes and, without a moment's letup, she stumbles on a mountainous cache of snuff porn. Paul’s business partner, Adam Quinn, demands information from Claire and threatens her with dire consequences if she doesn’t deliver. The Dunwoody police prove as ineffectual as ever. FBI agent Fred Nolan is more suavely menacing than helpful. So Lydia and Claire, who’ve grown so far apart that they’re virtual strangers, are unwillingly thrown back on each other for help. Once she’s plunged you into this maelstrom, Slaughter shreds your own nerves along with those of the sisters, not simply by a parade of gruesome revelations—though she supplies them in abundance—but by peeling back layer after layer from beloved family members Claire and Lydia thought they knew. The results are harrowing.

Slaughter (Cop Town, 2014, etc.) is so uncompromising in following her blood trails to the darkest places imaginable that she makes most of her high-wire competition look pallid, formulaic, or just plain fake.

Pub Date: Sept. 29, 2015

ISBN: 978-0-06-242905-6

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: June 30, 2015

Kirkus Reviews Issue: July 15, 2015

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