Talking animals effectively teach readers to move from despair to solutions.
A group of metaphorical creatures presents lessons about perseverance and mental strength in this guide.
In this follow-up to The Ant and the Elephant (2004), Poscente returns to the two animals who are his stand-ins for the conscious (ant) and subconscious (elephant) minds. Adir the Ant and Elgo the Elephant go everywhere together. Adir has learned how to make sure he and Elgo are working toward the same purpose in pursuit of excellence. Their idyllic existence is interrupted by an earthquake that destroys their home—and Adir’s extensive and highly leveraged real estate enterprise—and the two fall into despondency. After trying to rebuild as all their animal neighbors leave the area, Adir and Elgo eventually set out on a quest for a safe place to serve as a new home. With periodic advice from Brio the Owl, Adir and Elgo set goals for themselves, find a path through unfamiliar territory, and learn new ways to work together. They also face external challenges: Villains Chromia the Wolf and Valafar the Vulture see Adir and Elgo as potential prey. When Adir and Elgo’s conflicts aren’t driving them further from their goals, the predators are. By implementing Brio’s lessons (“Adir, criticism is like manure. It stinks but helps you grow”), Adir and Elgo are eventually able to triumph. In the introduction, Poscente writes that the book was inspired by his “own personal earthquake,” a confluence of bad financial decisions coupled with the falloff of his public speaking business during the recession of the late 2000s, which forced him to learn the lessons Adir and Elgo discover in the story. While the talking animal storyline may not appeal to all readers, it follows the successful path of earlier titles like Spencer Johnson’s Who Moved My Cheese? (1998) and Holden Rothgeber and John Kotter’s Our Iceberg Is Melting (2006) and does so equally well. Each chapter ends with a restatement of the pithy lessons taught by the tale, presented as an entry in Adir’s collection of notes to himself. The volume’s insights will be familiar to pop-psychology veterans, but the format is a smooth and persuasive way of concisely presenting them to new audiences.
Pub Date: Nov. 30, 2021
ISBN: 978-1-953295-71-2
Page Count: 224
Publisher: Matt Holt/BenBella
Review Posted Online: Oct. 15, 2021
Kirkus Reviews Issue: Dec. 15, 2021
Review Program: Kirkus Indie
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
