by Viola Neufeld ‧ RELEASE DATE: Oct. 10, 2017
An in-depth, intellectually stimulating relationship guide that manages to be conversational and clear in its delivery.
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A debut manual challenges readers to explore the “unwanted self” and how it affects relationships, conflicts, and perceptions.
Neufeld skips past the traditional conflict-management advice readers often find in self-help books, diving straight into the core of what ignites clashes in relationships. Having little to do with the dynamic between two people, conflicts actually arise, the author explains, from the sore spots and perceptions of the unwanted self. Looking at expectations and desires, she encourages readers to reflect on feelings sparked by relationship battles that might be rooted deeply in early beliefs formed about themselves: both the ideal and the unwanted selves. Rather than advocating basic listening and expressing patterns, the author suggests internal questioning and self-reflection that deeply examine the positive side of conflict: its power to propel individuals toward progress and constructive change. The author recommends that readers pause and consider how they create trouble in relationships, stating the specific causes and identifying the behaviors. This serves as a catalyst for choosing growth and change instead of the same patterns. In an incisive chapter entitled “Warming Up to the Unwanted Self,” Neufeld deftly describes the tension between the desires of the self and the fear of becoming the unwanted, rejected version of the self. For example, the author uses this juxtaposition: “I want to be a passionate lover but that makes me feel guilty and self-indulgent. Not being able to let go makes me feel like an inadequate lover.” This clear naming of the struggle between the self and the ego is what distinguishes this book from others in its genre. Rather than quick solutions for better communication, Neufeld offers powerful tools for self-reflection and personal metamorphosis. By defining those triggers that repeatedly produce fights, readers can self-actualize, resulting in improved relationships with others. Another of the book’s strengths is its avoidance of binaries and its dedication to studying the positives and negatives of common themes like shame, criticism, and rejection. “How much should we care about what people think?” she asks. “When we seek an answer to this question by navigating between the polarized positions of caring too much and not caring at all, we enact a necessary internal struggle.” The manual culminates in a chapter on how to deal with others differently by embracing new self-awareness and relationship aspirations.
An in-depth, intellectually stimulating relationship guide that manages to be conversational and clear in its delivery.Pub Date: Oct. 10, 2017
ISBN: 978-1-5255-1406-7
Page Count: 240
Publisher: FriesenPress
Review Posted Online: Dec. 2, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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