An original, enigmatic fantasy about reluctant heroes drawn into a quest to save the world.

THE GODSTONE

Only a cabinetmaker and a healer can prevent total destruction. Luckily, neither is who they say they are.

When Arlyn gets the letter asking him to come help open his late cousin’s vault, he knows something is wrong. For one thing, Arlyn doesn’t believe Xandra is dead. And even if he were, he’d never want his vault opened because there’s something dangerous inside. So Arlyn must go to the City and secure the vault. His friend Fenra, a healer, will go with him—and try to uncover what Arlyn isn’t telling her about this artifact he claims is powerful enough to un-Make the world. Not to mention how he knows so much about practitioners when most mundanes know, and notice, next to nothing about their magic. Both Arlyn and Fenra have plenty of secrets, and as they travel toward this confrontation, we gradually learn who they really are and what’s truly at stake. Malan doles out the details of this fascinating world sparingly, keeping the reader engaged in the many mysteries, including why and how the level of technology seems to change as the travelers move through different Modes along the Road. Well-drawn characters and a quest that’s eventually revealed to be as epic as they come add depth to the story, but the standout here is this strange, highly original world. Exposition is so minimal that it does take a while to really understand what’s at stake, but the unusual worldbuilding and air of mystery are enough to draw the reader in.

An original, enigmatic fantasy about reluctant heroes drawn into a quest to save the world.

Pub Date: Aug. 3, 2021

ISBN: 978-0-7564-1627-0

Page Count: 304

Publisher: DAW/Berkley

Review Posted Online: May 19, 2021

Kirkus Reviews Issue: June 1, 2021

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A masterful debut from a must-read new voice in fantasy.

FOR THE WOLF

Twin princesses—one fated to become a queen, the other a martyr—find themselves caught up in an unexpected battle of dark magic and ancient gods.

Four hundred years ago, a Valleydan princess facing a loveless betrothal sought refuge in the Wilderwood with her lover, the Wolf. The legendary Five Kings—including her father and her husband-to-be—pursued them only to be trapped in the Wilderwood. Now, according to legend, the only hope of restoring the Five Kings to power lies in the ritual sacrifice of every Second Daughter born to Valleyda's queen. There hasn't been a second daughter for 100 years—until now. On her 20th birthday, Redarys accepts her fate and walks into the Wilderwood to become the Wolf's next victim only to find that the stories she grew up on were lies. The handsome man who lives in a crumbling castle deep in the forest is not the original Wolf but his son, and he wants nothing to do with Red or her sacrifice. Afraid of her wild magic abilities and the danger they pose to her sister, Neverah, Red refuses to leave the Wilderwood. Instead, she clings to the new Wolf, Eammon, who will do whatever it takes to protect her from the grisly fate of the other Second Daughters. Meanwhile, in the Valleydan capital, Neve's desperation to bring her sister home sets her on a path that may spell disaster for Red, Eammon, and the Wilderwood itself. Whitten weaves a captivating tale in this debut, in which even secondary characters come to feel like old friends. The novel seamlessly blends "Little Red Riding Hood" and "Beauty and the Beast" into an un-put-down-able fairy tale that traces the boundaries of duty, love, and loss.

A masterful debut from a must-read new voice in fantasy.

Pub Date: June 1, 2021

ISBN: 978-0-316-59278-9

Page Count: 448

Publisher: Orbit

Review Posted Online: April 14, 2021

Kirkus Reviews Issue: May 1, 2021

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A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

THE SWALLOWED MAN

A retelling of Pinocchio from Geppetto's point of view.

The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”

A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.

Pub Date: Jan. 26, 2021

ISBN: 978-0-593-18887-3

Page Count: 208

Publisher: Riverhead

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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