MAKE LEMONADE

Wolff follows her rich portrait of a gifted young musician (The Mozart Season, 1991, ALA Notable) with a spare, beautifully crafted depiction of a 14-year-old whose goal of escaping poverty is challenged by friendship with a single teenage mother. With the support of her widowed mom, who's always made ends meet, LaVaughn sets her sights on college but knows she'll have to come up with the money herself. Taking a job caring for Jolly's babies while Jolly works, she's soon enmeshed in the young woman's problems—especially after Jolly is fired for spurning a harassing boss. Deeply concerned for the feckless, near- illiterate 17-year-old's welfare, LaVaughn is tempted to give her the money she's saved; yet (as marvelously encapsulated in LaVaughn's internal debate) she makes the tough decision that ``That won't help...I feel very mixed but my eyes stay steady.'' With difficulty (Jolly's too proud to ask for welfare and fears losing her children), she persuades her to enter a high-school program for young mothers. It's best for both—Jolly begins to ``take hold'' of her life—but bittersweet: while LaVaughn's grades go back up, she must relinquish her beloved charges. LaVaughn's narrative—brief, sometimes ungrammatical sentences in uneven lines, like verse—is in a credible teenage voice suited to readers like Jolly herself; yet it has the economy and subtlety of poetry. These girls could be from more than one ethnic group and almost any inner city—the setting is deliberately vague; but their troubles—explored in exquisite specificity—are universal. Hopeful—and powerfully moving. (Fiction. 10+)

Pub Date: May 1, 1993

ISBN: 0-8050-2228-7

Page Count: 200

Publisher: Henry Holt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 1993

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This story is necessary. This story is important.

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THE HATE U GIVE

Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.

Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.

This story is necessary. This story is important. (Fiction. 14-adult)

Pub Date: Feb. 28, 2017

ISBN: 978-0-06-249853-3

Page Count: 464

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 6, 2016

Kirkus Reviews Issue: Dec. 15, 2016

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An unpolished grab bag of incidents that tries to make a point about racial inequality.

I'M NOT DYING WITH YOU TONIGHT

Two teenage girls—Lena and Campbell—come together following a football game night gone wrong.

Campbell, who is white and new to Atlanta, now attends the school where Lena, who is black, is a queen bee. At a game between McPherson High and their rival, a racist slur leads to fights, and shots are fired. The unlikely pair are thrown together as they try to escape the dangers on campus only to find things are even more perilous on the outside; a police blockade forces them to walk through a dangerous neighborhood toward home. En route, a peaceful protest turns into rioting, and the presence of police sets off a clash with protestors with gruesome consequences. The book attempts to tackle racial injustice in America by offering two contrasting viewpoints via narrators of different races. However, it portrays black characters as violent and criminal and the white ones as excusably ignorant and subtly racist, seemingly redeemed by moments when they pause to consider their privileges and biases. Unresolved story arcs, underdeveloped characters, and a jumpy plot that tries to pack too much into too small a space leave the story lacking. This is not a story of friendship but of how trauma can forge a bond—albeit a weak and questionable one—if only for a night.

An unpolished grab bag of incidents that tries to make a point about racial inequality. (Fiction. 15-adult)

Pub Date: Aug. 6, 2019

ISBN: 978-1-4926-7889-2

Page Count: 272

Publisher: Sourcebooks Fire

Review Posted Online: May 22, 2019

Kirkus Reviews Issue: June 15, 2019

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