With a series of shocked responses to an apparently random murder, Walter (Hi, Pizza Man, 1995) challenges readers to make sense of a senseless act. On his 13th birthday, Robbie Jones takes his father's handgun, shoots an elderly Korean store owner, then crouches numbly in a tree until apprehended. Why? Robbie's teacher (``He was never a behavior problem''), classmates (``a geeky little guy''), parents (``He wasn't a bad boy''), witnesses, lawyer, and police officers are all mystified. Robbie disappears into prison without offering an explanation, and only a few enigmatic clues emerge: his infatuation with a classmate; his tough-talking, utterly clueless father; the superhero he and a friend create whose specialty is helping children in trouble. The book is obtrusively designed; using an array of typefaces, blocks of text clipped and pasted at an angle, and dark, distorted, computer- manipulated photo-montages, Roeckelein creates an ominous, sometimes disorienting atmosphere that suggests a turmoil in Robbie that never shows up in the text. Only near the end does he make a statement, and that indirectly, with a comic-book scenario in which Megaboy, sensitive to ``unspoken cries for help,'' makes ``a human child born on the wrong planet'' his sidekick. An eerie, disturbing puzzle that leaves readers to identify and assemble the pieces themselves, with results that may not be satisfying. (Fiction. 11-13)
Pub Date: April 1, 1998
ISBN: 0-7894-2488-6
Page Count: 64
Publisher: DK Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
The best day of Michael Mackenzie's life becomes the worst when the bullet he exuberantly fires into the air during his 17th birthday party comes down a mile away and kills a man. When he hears the story on the radio, the news hits him like a lightning bolt. Numbly following the advice of his best friend, Joe, he buries the rifle and tries, without much success, to get on with life. So does the victim's 15-year-old daughter, Jenna, who had been present when the bullet struck. Switching between Michael's point-of-view and Jenna's, McDonald (Comfort Creek, 1996) sends the two teenagers dancing slowly toward each other, using mutual acquaintances, chance meetings at parties and the community pool, and glimpses at a distance. Both go through parallel phases of denial, both are tortured by remorse, exhibit behavior changes, and experience strange dreams; both eventually find ways to ease their grief and guilt. When the police close in, Joe takes the blame, giving Michael the nerve to confess. In the final chapter, McDonald shifts to present tense and brings Michael and Jenna to a cathartic meeting under a huge sycamore said in local Lenape legend to be a place of healing—an elaborate and, considering the suburban setting and familiar contemporary characters, awkward graft in this deliberately paced but deeply felt drama. (Fiction. 11-13)
Pub Date: Oct. 1, 1997
ISBN: 0-385-32309-3
Page Count: 245
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books.
In a meditative interracial love story with a wrenching climactic twist, Woodson (The House You Pass on the Way, 1997, etc.) offers an appealing pair of teenagers and plenty of intellectual grist, before ending her story with a senseless act of violence.
Jeremiah and Elisha bond from the moment they collide in the hall of their Manhattan prep school: He’s the only child of celebrity parents; she’s the youngest by ten years in a large family. Not only sharply sensitive to the reactions of those around them, Ellie and Miah also discover depths and complexities in their own intense feelings that connect clearly to their experiences, their social environment, and their own characters. In quiet conversations and encounters, Woodson perceptively explores varieties of love, trust, and friendship, as she develops well-articulated histories for both families. Suddenly Miah, forgetting his father’s warning never to be seen running in a white neighborhood, exuberantly dashes into a park and is shot down by police. The parting thought that, willy-nilly, time moves on will be a colder comfort for stunned readers than it evidently is for Ellie.
Miah’s melodramatic death overshadows a tale as rich in social and personal insight as any of Woodson’s previous books. (Fiction. 11-13)Pub Date: Sept. 1, 1998
ISBN: 0-399-23112-9
Page Count: 181
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1998
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