Emily’s motives turn out to be little more than a pretext, but the author delivers another clever, suspenseful drama in the...
Vande Velde again traps teenagers inside an authentically depicted arcade game—but here she works twists into the premise that are both amusing and crank up the danger.
As in User Unfriendly (1991) and Heir Apparent (2002), the game, called “The Land of Golden Butterflies,” is manufactured by the shadowy Rasmussem Corp. and is fully immersive, fed directly into the brain through electrodes. Into this game 14-year-old Grace Pizzelli’s big sister Emily has gone; moreover, she has refused to come out and altered the code so she can’t be forcibly ejected. As sessions that run longer than a few hours cause brain damage and death, the corporation desperately turns to Grace to follow Emily in and persuade her to leave. Reluctantly agreeing, Grace discovers to her disgust that, rather than offering the usual heroic-fantasy or science-fiction setting, this digital world has been colored in pinks and lavenders. It is stocked with (supposedly) benign magical creatures and hunky male servitors—in general, it seems designed to cater to 10-year-old would-be princesses. The idyll has gone sour, though, because thanks to Emily’s fiddling, not only have the wish-granting sprites turned nasty, but the game’s governing Artificial Intelligence has changed the Rules—disabling the “Quit” function and forcing both Grace and her already-failing sister to embark on a seemingly hopeless quest with their real lives at stake.
Emily’s motives turn out to be little more than a pretext, but the author delivers another clever, suspenseful drama in the digital domain. (Science fiction. 10-12)Pub Date: July 10, 2012
ISBN: 978-0-547-73850-5
Page Count: 304
Publisher: Harcourt
Review Posted Online: April 11, 2012
Kirkus Reviews Issue: May 1, 2012
A quick, agreeable caper, this may spark some discussion even as it entertains.
Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.
As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.
A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)Pub Date: May 30, 2017
ISBN: 978-1-4197-2296-7
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Action and enthusiasm aplenty, but, like most time-travel tales, not much for internal logic.
A Back to the Future–style romp through time, though with more loose ends than a bowl of spaghetti.
Hardly have teen twins Kyle and Emma and their younger brother (and narrator) Max arrived for a stay at their reclusive grandfather’s Texas ranch than the old man announces that he’s about to have a massive heart attack, shows them a working time machine in the basement and sends them out to a nearby paleontological site where they find fossilized sneaker prints among the dinosaur tracks. Then a stranger grabs Emma and vanishes in a flash of light—leaving the remaining sibs and a ranch hand’s bow-wielding daughter Petra to zoom in a Volkswagen Beetle back 70 million–plus years to the rescue. Not only does the late Cretaceous landscape turn out to be well stocked with crocodilian Deinosuchus and other toothy predators, a human gent falsely (as it turns out) claiming to be a refugee from 1919 steps out of the bushes to guide the others to the evidently dino-proof frame house in which Emma is being held. Everyone steams back to the present on the kidnapper’s motor launch, which is also fitted out as a time machine. Showing blithe disregard for potential paradoxes, the author sheds enough light on his byzantine back story to ensure that the protagonists will be taking more trips through time and closes with notes on dinosaurs and on the history of “Robinsonades.”
Action and enthusiasm aplenty, but, like most time-travel tales, not much for internal logic. (recommended reading) (Science fiction. 10-12)Pub Date: March 20, 2012
ISBN: 978-0-547-60849-5
Page Count: 192
Publisher: Clarion Books
Review Posted Online: Nov. 8, 2011
Kirkus Reviews Issue: Dec. 15, 2011
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