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OSTEND

STEFAN ZWEIG, JOSEPH ROTH, AND THE SUMMER BEFORE THE DARK

Evocative, sharply drawn portraits and a wry, knowing narrative voice make for an engrossing history.

A summer of sun for despondent exiles.

In July 1936, the Austrian-Jewish writers Stefan Zweig (1881-1942) and Joseph Roth (1894-1939) met in Ostend, Belgium, a seaside resort town that promised them a respite from the political turmoil perpetrated by Nazi Germany. As Weidermann, literary director and editor of the Sunday edition of the German newspaper Frankfurter Allgemeine Zeitung, portrays them in this taut, novelistic history, his first book to be translated into English, both men were facing personal and professional crises. Although Zweig was an enormously popular writer, his German publisher had just dropped him, and his latest book, on Calvin, elicited wrathful reviews. He wanted to wrest himself from his domineering wife and “dependent, needy, vain, useless” daughters to run off with his young, adoring mistress. Zweig was “tired, irritable, and depressed. He was sick of literature,” sick of politics, sick of life. Roth, who had been supporting himself as a journalist, was distraught when his two recent novels were banned and burned in his beloved Austria. An angry alcoholic, he yearned nostalgically for the past, for “an old Austria and its monarchy, its empire,” for “the great, glittering capital” of Vienna as it was in his youth. In lyrical prose, Weidermann re-creates the atmosphere of an ephemeral moment for both writers and the disillusioned men and women who gathered with them: German playwright Ernst Toller; Czech writer Egon Erwin Kisch, who was virulently anti-fascist; Hungarian-born journalist Arthur Koestler; Zweig’s diffident lover Lotte Altmann; and Roth’s new lover, Irmgard Keun, a beautiful, feisty woman who had sued the Nazis for damages when her novels were banned (she lost). Weidermann’s focus, though, is on Zweig and Roth: Zweig, “self-confident, worldly, with a firm stride, like an elegant shrew in his Sunday best”; and Roth, dumpy, unkempt, “like a mournful seal that has wandered accidentally onto dry land.”

Evocative, sharply drawn portraits and a wry, knowing narrative voice make for an engrossing history.

Pub Date: Jan. 26, 2016

ISBN: 978-1-101-87026-6

Page Count: 176

Publisher: Pantheon

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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