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THE TASTER

The last days of the Reich have never seemed so quotidian.

A young German woman is recruited for an unusual position on Hitler’s staff.

In 1943, alarmed by increasing Allied air raids on Berlin, Magda Ritter’s parents send her to Berchtesgaden, a remote Bavarian Alpine town. When she arrives, Magda’s uncle Willy, a staunch Nazi, wangles her a position at The Berghof, Adolf Hitler’s nearby mountain citadel. After a grueling interview process, during which Magda must downplay her lack of Nazi sympathies, she is hired, but she's startled to learn that her duties will involve tasting Hitler’s meals to ensure that he's not being poisoned. Her training includes learning to recognize the characteristics of various poisons, including the almond scent of cyanide. She falls in love with Karl, a handsome SS officer, who, she learns with mixed relief and alarm, is plotting against Hitler. Karl shows her photographic proof of Nazi crimes, of which Magda, like most ordinary Germans, or so she believes, was completely unaware. Magda’s roommate, Ursula, is also part of the resistance, and, when a poisoning plot against Hitler goes awry, Ursula drinks the cyanide-laced tea intended for the Führer. Karl and Magda escape suspicion. In fact, the Führer takes a special interest in the young couple, whom he views as ideal Aryan breeding stock. Their nuptials are hosted by Hitler and his mistress, Eva Braun, and shortly thereafter, the newlyweds are transferred to Wolf’s Lair, Hitler’s forest hideout. As war rages on and defeat appears imminent, Magda’s fate will depend on the success of her continuing masquerade as a loyal Hitler retainer. For such a fraught story, the pacing is curiously episodic and static. Magda’s hatred of Hitler—who on his occasional appearances is characterized as, at worst, self-deluded—is less than convincing, particularly while she enjoys the privileges her proximity to him confers.

The last days of the Reich have never seemed so quotidian.

Pub Date: Jan. 30, 2018

ISBN: 978-1-4967-1227-1

Page Count: 304

Publisher: Kensington

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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WHISTLING PAST THE GRAVEYARD

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.

Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.

Young Starla is an endearing character whose spirited observations propel this nicely crafted story.

Pub Date: July 2, 2013

ISBN: 978-1-4767-0772-3

Page Count: 320

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 20, 2013

Kirkus Reviews Issue: June 15, 2013

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