A thoughtful, well-drawn legal thriller with teen tribulation at its center.
Kemanis (Love & Crimes, 2017, etc.) sets an intrepid prosecutor up against some high school drama with deadly consequences in this latest Dana Hargrove legal thriller.
Westchester County, New York, 2009: The new district attorney, Hargrove, takes office just as the adverse effects of the Great Recession—unemployment, domestic abuse, increased levels of substance abuse—start to take hold in her jurisdiction. Then the frozen body of a teen suicide is discovered in the Hudson River; it’s Naomi Steuben, a shy, overweight girl who’d recently been the victim of vicious online bullying by two classmates. Her grieving parents pressure the DA’s office to deliver justice, and Hargrove and her team must figure out how to prosecute the case without any cyberbullying laws on the books. As the attorneys—Hargrove; her husband, Evan Goodhue; and their rival Vesma Krumins—struggle to work within the law, the Hargroves’ kids, Travis and Natalie Goodhue, and Vesma’s daughter, Ginger, endure the petty and sometimes-harmful world of high school. Natalie is forced to testify against her peers, which has consequences for her entire family. Hargrove may not be able to keep her kids safe from the world’s tragedies, but she’ll do whatever she can to make sure justice is served. Kemanis writes in a style that adeptly dramatizes legal arguments while also finding moments of stark lyricism, as when she describes the moment just before Naomi’s wintry death: “With all physical sensation gone, the rest of it is now almost a memory, not even that. The remaining bits float away into the vast, sucking expanse of black sky over the river.” Although court cases figure heavily into the novel’s plot, the author manages to transcend the genre somewhat by delving so deeply into the lives of the teenage characters and their social circle. The result is a novel about how communities contend with their children’s coming-of-age, particularly in an era when technology is shifting the ground beneath everyone’s feet.
A thoughtful, well-drawn legal thriller with teen tribulation at its center.Pub Date: Jan. 25, 2018
ISBN: 978-0-9997850-0-3
Page Count: 350
Publisher: Opus Nine Books
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: April 1, 2018
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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