A unique perspective of the development of identity comedy in the 21st century.
The “sociopolitical comedian” shares his opinions and stories from his life.
Best known for his socially conscious, political style, Bell, the host of CNN’s United Shades of America, offers readers more of the same in his first book. The author riffs on pop-culture topics such as being a “blerd”—i.e., black nerd—his childhood love of superheroes, why Denzel Washington is the greatest actor of all time (an idea he originally discussed in a podcast series), the film Creed, and social issues such as sexism and racism from personal experiences. Fittingly, he also dedicates chapters to his thoughts on the recent presidential election and the state of the Democratic Party. Bell’s brand of comedy is insightful at times, but oftentimes the punch line or message is immediately obvious from the outset, and there is a one-dimensional tendency to many of his bits that begins to grow tiresome after a few chapters. The author is at his best when he recounts his early stand-up career in the 1990s and the comedy business in general. He recalls how the comedy boom of the ’80s had burst, and he was left trying to find his personal and professional identity in this new era. It was then that Bell learned to use current events as source material—though during his first experience doing so, in which he joked about the Rodney King beating, he was booed offstage. It wasn’t until 2007 that Bell began to truly find his voice with his one-man show The W. Kamau Bell Curve: Ending Racism in About an Hour, which mixed “personal stories, late night theories, and topical news stories” and incorporated what would become his signature social critique. Though Bell’s social commentary is hit-or-miss, he is establishing himself as one of the most outspoken comedians of our time.
A unique perspective of the development of identity comedy in the 21st century.Pub Date: May 2, 2017
ISBN: 978-1-101-98587-8
Page Count: 320
Publisher: Dutton
Review Posted Online: March 19, 2017
Kirkus Reviews Issue: April 1, 2017
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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