A thoughtful study of the life and ideas of the celebrated media philosopher. Time—unkind to so many visionaries—is proving Marshall McLuhan only more and more prescient. His theories, popularly summed up in his famous phrase ``The medium is the message,'' seem to describe our computerized age with eerie precision. He was able to recognize, for example, that the computer would rapidly become an extension of the central nervous system, allowing individuals to extend the range of their sense perceptions. While computer- friendly, his opinion of television, often misunderstood and rarely enunciated in its full disdain, verged on the alarmist: ``If you want to save one shred of Hebrao-Greco-Roman-Medieval-Renaissance-Enlightenment-Modern-Western civilisation, you'd better get an ax and smash all the sets.'' Given where his ideas would take him, it is superficially incongruous that McLuhan began his professional career as an English professor. But language has fueled much late-20th-century philosophy, and as Canadian academic Gordon (McLuhan for Beginners, not reviewed, etc.) meticulously demonstrates, much of McLuhan's work was substantively informed by a concern with grammar (in the classical sense of the study of relationships within language). At a time when many intellectuals chose either communism or Catholicism—usually for reasons more similar than opposite— McLuhan chose the Church, and Gordon again carefully illuminates the connections to McLuhan's work. His ideas were dense, complex often to the point of convolution, and thoroughly interwoven. Gordon is not only a user-friendly explicator, he also is a dogged intellectual detective, tracking McLuhan's ideas down to their earliest beginnings. In more conventional biographical terms, this account suffers from the happily married, academically regimented dullness of its subject's life, conjoined with Gordon's relative lack of interest in all non-idea-related details. But as an intellectual history, it's first-rate. (8 pages b&w photos, not seen)
Pub Date: Oct. 29, 1997
ISBN: 0-465-00549-7
Page Count: 512
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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