A sweet window into Indigenous Christmas traditions.
Kinew (Onigaming First Nation), premier of Manitoba, tells the story of a Native family returning home to the reservation on the winter solstice.
Baby, an Anishinaabe child, doesn’t want to go back to the rez for Christmas: How will Santa find the family if they aren’t in the city? On the drive into the country, Baby’s pressing concerns fill the car: Why are presents exchanged on Christmas? Why is the rez “home” if they don't live there? Baby’s parents, who both have tan skin and black hair like Baby, answer each question by centering Anishinaabe language and values: Daddy explains that miigiwe means “giving away,” while Mommy says that giiwedaa (“let’s go home”) reflects the Anishinaabe reality that “home is where we live. But home is also where we come from.” The tender reunion with Kookom (Grandmother) and Mooshom (Grandfather) includes storytelling, sipping tea and eating bannock, singing, and giving gifts. Indigenous illustrator Hill’s cartoon art brings warmth and heart to Kinew’s simple narrative. Backmatter briefly spotlights the Anishinaabe customs of sharing food and gifts during the winter solstice, as well as the community’s reclamation of feasting and miigiwe at the end of the year. The sense of cultural pride and holiday joy will resonate with many young readers and their families.
A sweet window into Indigenous Christmas traditions. (Picture book. 4-7)Pub Date: Oct. 8, 2024
ISBN: 9781774883570
Page Count: 48
Publisher: Tundra Books
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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