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THE NUMBERS DON'T LIE

COMPARATIVE CAREER ANALYSES OF JACK NICKLAUS & TIGER WOODS

A somewhat dry but comprehensive numbers-driven book about two legends of the links.

White offers a thorough comparative study of the legendary golf careers of Jack Nicklaus and Tiger Woods.

For his nonfiction debut sports book, the author takes a side-by-side look at the careers of two of professional golf’s greatest figures. He focuses on Nicklaus’ career from 1962 through 1986 and Woods’ from 1996 through 2022, noting that although the latter missed some years later in his run, due to injuries, the ages during their ranges were similar. White centers his comparative account on the Grand Slam, naturally—the Masters, the U.S. Open, the British Open, and the PGA Championship—but he also intriguingly looks at many other elements of the two careers, working up from a granular level; for example, readers are told that Nicklaus won the Ohio State Open at age 16, qualified for the U.S. Open at 17, and won the U.S. Amateur Championship at 19 (the second-youngest at the time, after Robert Gardner in 1909), and so on. White presents exhaustive stats on both figures: the total scores, the lowest scores, the average scores, and more—all presented in dozens of charts and graphs. At various moments throughout the book, White demonstrates narrative skill, and he picks excellent epigraphs, including Nicklaus’ great line:“Professional golf is the only sport where, if you win 20% of the time, you’re the best.” Much of the book, though, is aimed exclusively at stats-saturated golf enthusiasts, who are sure to love the sheer completeness of White’s approach. Others may wish there were more narrative analysis to go along with the landslides of data.

A somewhat dry but comprehensive numbers-driven book about two legends of the links.

Pub Date: Nov. 3, 2022

ISBN: 9781665569583

Page Count: 298

Publisher: AuthorHouse

Review Posted Online: July 3, 2023

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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CALYPSO

Sedaris at his darkest—and his best.

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In which the veteran humorist enters middle age with fine snark but some trepidation as well.

Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.

Sedaris at his darkest—and his best.

Pub Date: May 29, 2018

ISBN: 978-0-316-39238-9

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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