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AT LEAST IN THE CITY SOMEONE WOULD HEAR ME SCREAM

MISADVENTURES IN SEARCH OF THE SIMPLE LIFE

Inauthentic and overblown.

Tongue-in-cheek memoir of a middle-aged gay man who, inspired by Thoreau, moved to rural Michigan to pursue his writing and the simple life.

Rouse (Confessions of a Prep School Mommy Handler, 2007, etc.) jettisoned urban pleasures and set out with his partner to craft a new life in the woods. The narrative is organized around ironic “life lessons” drawn from his reading of Thoreau and supplemented by research from the Encyclopedia Britannica and Wikipedia. Along the way, he was ravaged by a raccoon, shopped at a warehouse store, went ice fishing and built a snowman, “complete with a very impressive thick stick penis.” His meandering text offers various observations on the differences between city and country life. Urbanites have fashion, credit-card debt and neighbors who never intrude. Country dwellers are so benighted they can’t even deal with his tiny little list of 21 items his local grocery should carry—typical entry: “Silver Palate rough-cut oatmeal (must be the slow-cook kind, not the instant.” When the clerk responded with mild mockery, he considered “pushing the bowling pencil into her jugular… [I] am convinced that if I explained all of this to a jury of my peers, I would be acquitted. But I know I have no ‘peers.’ ” Rouse apparently aspires to reconfirm tired stereotypes about backward country people and flamboyant gay men. He also indulges in occasional flurries of tepid misogyny (a comment about dull female birds, an encounter with a lesbian sewer expert). The author’s attitude and tone, including his liberal use of uninspired profanity, is encapsulated in the opening description of himself as “a self-obsessed gay man who intentionally bedazzled himself in $1,000 worth of trendy clothing just to walk the trash out in the middle of fucking nowhere!

Inauthentic and overblown.

Pub Date: June 2, 2009

ISBN: 978-0-307-45190-3

Page Count: 272

Publisher: Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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