SHOOT THE WOMAN FIRST

Crissa’s third is another superior thriller—fast, tough and nasty—without a single extra sentence.

An easy score for professional thief Crissa Stone (Kings of Midnight, 2012, etc.) and her associates turns out to be anything but.

Detroit drug lord Marquis Jackson is so confident that nobody’s going to mess with his drop-off for dirty cash that he takes minimal precautions to safeguard it or even to keep it secret. He doesn’t reckon with Cordell King, an underling who’s just old and smart enough to share information about the cash with Crissa, her veteran colleague Larry Black, and Cordell’s own cousin Charlie Glass. Though Crissa and company don’t have much time to plan the heist, it goes off smooth as silk, until it doesn’t, and Crissa is on the run with a lot more money than she expected to be carrying and a determination to deliver half of it—$80,000—to Claudette, a stranger in Florida, and her daughter, Haley, 6. The women don’t exactly bond, and Crissa’s particularly uneasy about Claudette’s current boyfriend, Roy Mapes, a meth addict who’s seriously in debt to a pair of lowlife dealers. Back in Detroit, Marquis Jackson, who’s not about to take the theft lying down, offers ex-cop Frank Burke $10,000 if he can recover the loot before Jackson’s own confederates, who are better enforcers than detectives. Burke proves just as violent as Jackson’s underlings but a lot less loyal. He dutifully tracks down the survivors of the heist but executes them as quickly as he finds them and plots to keep the entire proceeds for himself. That plan will inevitably bring him up against Crissa and that Florida family, and when it does, sparks will fly, along with bullet casings of every caliber.

Crissa’s third is another superior thriller—fast, tough and nasty—without a single extra sentence.

Pub Date: Dec. 3, 2013

ISBN: 978-1-250-00038-5

Page Count: 288

Publisher: Minotaur

Review Posted Online: Dec. 6, 2013

Kirkus Reviews Issue: Dec. 15, 2013

A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

THE BIG BAD WOLF

As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir...

Dr. Alex Cross has left Metro DC Homicide for the FBI, but it’s business as usual in this laughably rough-hewn fairy tale of modern-day white slavery.

According to reliable sources, more people are being sold into slavery than ever before, and it all seems to be going down on the FBI’s watch. Atlanta ex-reporter Elizabeth Connolly, who looks just like Claudia Schiffer, is the ninth target over the past two years to be abducted by a husband-and-wife pair who travel the country at the behest of the nefarious Pasha Sorokin, the Wolf of the Red Mafiya. The only clues are those deliberately left behind by the kidnappers, who snatch fashion designer Audrey Meek from the King of Prussia Mall in full view of her children, or patrons like Audrey’s purchaser, who ends up releasing her and killing himself. Who you gonna call? Alex Cross, of course. Even though he still hasn’t finished the Agency’s training course, all the higher-ups he runs into, from hardcases who trust him to lickspittles seething with envy, have obviously read his dossier (Four Blind Mice, 2002, etc.), and they know the new guy is “close to psychic,” a “one-man flying squad” who’s already a legend, “like Clarice Starling in the movies.” It’s lucky that Cross’s reputation precedes him, because his fond creator doesn’t give him much to do here but chase suspects identified by obliging tipsters and worry about his family (Alex Jr.’s mother, alarmed at Cross’s dangerous job, is suing for custody) while the Wolf and his cronies—Sterling, Mr. Potter, the Art Director, Sphinx, and the Marvel—kidnap more dishy women (and the occasional gay man) and kill everybody who gets in their way, and quite a few poor souls who don’t.

As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir the slightest sympathy.

Pub Date: Nov. 5, 2003

ISBN: 0-316-60290-6

Page Count: 400

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2003

Close Quickview