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COULDN’T KEEP IT TO MYSELF

TESTIMONIES FROM OUR IMPRISONED SISTERS

There are things, says Lamb, that need “to be known about prison and prisoners. There are misconceptions to be abandoned,...

Intense attestations of lives that ran afoul of the law, from women who have done or are doing time at a prison in Connecticut.

Bestselling novelist Lamb (I Know This Much Is True, 1998, etc.) teaches a course in writing at the York Correctional Institution, and he offers here a selection of ten works from the women in his class, plus one by his co-instructor. The pieces are uniformly wrenching, reported from desperate circumstances by authors doomed to punishment. Yet they are as far from self-pity as possible, written by extremely self-aware authors who give a clear sense of setting out to take some degree of control of their destinies. Each piece is a probing re-examination of its author’s life and of the reasons she ended up in prison. Some recount childhoods taxing by any yardstick, years of learning to become “experts at detecting the slightest barometric fluctuations of Storm Mom,” or of being raped by a father who’d just lost the house in a card game—and, at term, having the baby spirited away before its mother was allowed to touch him. There are demons aplenty, inner ones begging to be tamed by drugs, and outer ones, like husbands, uncontrollable (one woman asks, “Why do I feel safer here in prison than I felt at home?”). The maximum-security prison is a tough house, and prospects of release for some of the writers are dim: “Ineligible for parole, I have served the first nine years of my twenty-five year sentence. I am 27.” This same person will also say, “I’m kept afloat by my writing.” And her writing, like other of the women’s, is lean, with the momentum and clarity needed for its work of helping frame and make sense of these authors’ situations.

There are things, says Lamb, that need “to be known about prison and prisoners. There are misconceptions to be abandoned, biases to be dropped.” Here’s a step in that direction.

Pub Date: Feb. 1, 2003

ISBN: 0-06-053429-X

Page Count: 320

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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