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THE RIVER IS WAITING

This sometimes-gripping, sometimes-labored story of grief, guilt, and healing is uneven, like the recovery it chronicles.

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“Can a man who caused the death of his child ever atone enough to be forgiven?” That is the central question raised by Lamb’s novel of every parent’s worst nightmare.

That nightmare becomes a reality for unemployed commercial artist Corby Ledbetter, who cares for toddler twins Maisie and Niko while his wife, Emily, works. One morning in 2017, Corby pops a couple of Ativans, pours rum in his coffee, plays peekaboo with the kids, burns the toast, and ruminates about his marriage, all before backing his car over Niko in the driveway. In these horrific yet riveting opening 12 pages, Corby’s narration is as blatantly unreliable—“It’s not like I’m addicted”—as his character is unsympathetic. His denial and self-pity are infuriating compared to Emily’s raw despair over Niko’s death. But during the course of the next three years, Corby gradually earns more trust. The first turning point occurs when he realizes that lying about his responsibility devalues Niko’s life, and he chooses to confess his intoxication to both Emily and the police. Found guilty of second-degree involuntary manslaughter, he heads to prison for three years, the future of his marriage uncertain. The almost day-by-day recounting of his prison experience makes up the bulk of Corby’s narration. Expect familiar tropes: racist white inmates; sadistic guards; a gossipy gay cellmate who evolves into a genuine, trustworthy friend; a saintly prison librarian who gives Corby space to create art. Corby’s self-education about systemic inequality and racism, however earnest and accurate, tends toward the didactic. But Lamb expertly shows his arduous, bumpy progression toward maturity and creates equally complex characters in Emily and especially in Solomon, an emotionally fragile young inmate Colby takes under his protection, probably saving his life—an ironic parallel neither lost on readers nor overstated.

This sometimes-gripping, sometimes-labored story of grief, guilt, and healing is uneven, like the recovery it chronicles.

Pub Date: June 10, 2025

ISBN: 9781668006399

Page Count: 432

Publisher: Marysue Rucci Books

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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