Next book

STATE OF THE UNION

GROUND ZERO

A competent, if unambitious, political thriller.

An FBI agent is forced to go underground after discovering a plot to blow up Washington, D.C., in Branam’s latest entry in his Wolfe Adventure series.

Thomas Wolfe is the assistant director of the FBI’s Critical Incident Response Group, and he has knowledge of a terrorist plot. A cabal of billionaires called the Order is planning to stage a coup, the first stage of which involves detonating a nuclear bomb during the president’s State of the Union address. For some reason, Tom’s commanders have ordered him to back off the investigation, and when he presents his findings to the upper echelons of the government intelligence hierarchy, he’s met with ridicule. They suspend him from the bureau, and soon, federal marshals try to arrest him “for suspicion of murder, espionage, acts of terrorism, and sedition.”He avoids being taken into custody, but now he’s a high-profile fugitive pursued by all the powers of the government: “The Order has created a shadow state,” his former boss warns him, “by systematically placing people in key positions throughout the government—some in very high positions.” To prevent the impending attack, Tom needs to find and free his brother, John Wolfe, a master spy who’s being held at a blackout facility for his own attempts to bring down the Order. That will be no easy feat, especially with a Navy SEAL–turned-assassin hot on his trail. Branam’s novel is fast-paced and action-packed from the first scene. However, nearly every element—the descriptions, the characters, the explanations—rises merely to the level of functional and not one inch higher. This simplicity sometimes leads to rather cartoonish moments, as when U.S. Sen. Fetterson, the Order’s leader, lovingly caresses the nuclear bomb’s control box and thinks, “Soon I will be president for life!” There are numerous allusions to previous books in the Wolfe series, but readers will be able to make their way through this one fine without having read the others. Those who enjoy escapist fare, centered on a James Bond–style villain blowing up a city with a nuke, will largely find themselves content with this latest offering.

A competent, if unambitious, political thriller.

Pub Date: Dec. 10, 2019

ISBN: 978-1-4582-2261-9

Page Count: 380

Publisher: AbbottPress

Review Posted Online: June 5, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 92


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE SECRET OF SECRETS

A standout in the series.

Awards & Accolades

Likes

  • Readers Vote
  • 92


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.

“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.

A standout in the series.

Pub Date: Sept. 9, 2025

ISBN: 9780385546898

Page Count: 688

Publisher: Doubleday

Review Posted Online: Sept. 9, 2025

Kirkus Reviews Issue: Nov. 1, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 120


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 120


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview