by Walt Runkis ‧ RELEASE DATE: Jan. 7, 2020
A stylish story in which investigators aren’t afraid to get in too deep.
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An experienced detective takes on an enigmatic shadow organization in Runkis’ (Three Proofs That God Exists, 2019) dystopian thriller.
In 2056, legendary investigator Willy J. Morro is brought out of retirement at the request of a U.S. senator. She needs the 91-year-old criminologist to help track down the Yuendi, a mysterious criminal organization that’s recently killed several operatives by somehow vaporizing them. The Yuendi—aka the Brotherhood of Chaos—has also been responsible for a string of unusual terrorist acts, such as jamming transportation computers to cause massive traffic jams; as Yuendi expert Ward Baxter thinks, “No one knew how many there were, where they came from, when they got started, or, more importantly, what on God’s green earth they were trying to accomplish—apart from mayhem and mass destruction for destruction’s sake.” Forty-eight-year-old Special Agent Bill Macalister from the U.S. Department of Justice has been assigned to play the sidekick to Morro’s grizzled veteran. Unbeknown to the former, Morro has reason to suspect that the Yuendi may have something to do with UFOs—and a government conspiracy to cover up their existence. The two investigators, plus Baxter and microbiology researcher Mary Jamison, must get to the bottom of the mystery, which involves a possibly mythical object called the Golden Cord of Arram. Runkis’ prose is curt and moody, which is in keeping with the author’s self-aware riff on detective fiction: “It was a large eucalyptus that was now badly charred and broken. Before the blast…it must have stood twenty meters high. It now terminated about three meters above the ground, all charred and splintered.” Morro, in particular, is a welcome addition to the stable of smug-but-capable investigative geniuses—in part due to his advanced age, and his oft-stated desire to celebrate his 150th birthday. Despite the novel’s familiar genre trappings, it’s rather ambitious in its themes, and as the plot ramps up, it goes in unexpected directions. Although the tale goes to some unnecessarily dark places, its mix of conspiracy and crime fiction makes for a generally entertaining and occasionally thought-provoking escape.
A stylish story in which investigators aren’t afraid to get in too deep.Pub Date: Jan. 7, 2020
ISBN: 978-1-5439-9248-9
Page Count: 234
Publisher: BookBaby
Review Posted Online: Jan. 20, 2020
Review Program: Kirkus Indie
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PROFILES
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Pierce Brown ‧ RELEASE DATE: Feb. 9, 2016
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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