by Walter Mosley ‧ RELEASE DATE: Jan. 28, 2025
A dense but deeply reflective sequel.
Tangled in painful memories of his long-missing father, who was released from prison nine years ago, private investigator Joe King Oliver searches for his old man in this follow-up to Every Man a King (2023).
The 44-year-old King hasn’t seen or heard from his hated/loved father, Chief Odin Oliver, since he was 13. After Chief was convicted of robbing a convenience store and shooting two men, his wife (King’s mother) had a nervous breakdown, was sent to an asylum, and died. Now, King’s ailing 94-year-old grandmother wants him to find her son before she’s operated on for cancer. King’s search, which leads him through a succession of Chief’s friends, lovers, and criminal associates, overlaps with the case of a woman he’s been hired to find by the wealthy husband she walked out on, taking their 7-year-old daughter—a job the empathetic detective turns on its ear once it becomes obvious that the shady husband is abusive. With its many interconnected characters and layers of family history, the kaleidoscopic plot—narrated by King—isn’t always easy to follow. His desire to sleep with smart and beautiful women he encounters smooths the path. King can’t help showing off his sophisticated taste in food, literature, appearances (one woman’s dress was “the color of Meyer lemons”), and language (“She was so certain about the space she occupied that there was no gainsaying her position”). At the same time, the novel is rooted in street philosophy (“It’s at least three times harder to get outta trouble than it is gettin’ in”) and the ongoing threat of violence. As with Mosley’s great Easy Rawlins series, there’s simply no one else writing books like this one.
A dense but deeply reflective sequel.Pub Date: Jan. 28, 2025
ISBN: 9780316573269
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Seishi Yokomizo ; translated by Louise Heal Kawai ‧ RELEASE DATE: Sept. 15, 2026
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: Sept. 15, 2026
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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