by Walter Mosley ‧ RELEASE DATE: Feb. 2, 2021
It’s hard to believe Mosley once gave serious thought to killing off his first detective hero. He’s still got plenty of game.
The uneasy passage of Easy Rawlins through late-20th-century Los Angeles continues at the hinge of the 1960s and '70s in one of the knottiest cases of the Black detective’s long and bloody career.
It’s one thing trying to solve a murder. It’s still another trying to prevent a murder. But try helping somebody determine whether he murdered someone or not—and without any evidence, like, say, blood or a corpse. That’s the dicey situation facing private eye Ezekiel "Easy" Rawlins in the summer of 1969 when Vietnam War veteran Craig Kilian wanders into his office carrying a nasty bruise on his head and an especially volatile strain of post-traumatic stress syndrome. It takes an abrupt and violent mood swing before Craig manages to tell Easy about a moonlight encounter in an orange grove involving a half-naked White woman tied to a tree, screaming “Alonzo” as someone Craig describes as “a big black man with long straight hair” is standing next to her with a knife. Craig lunges at what he believes to be the woman’s attacker, and all Craig remembers before being knocked unconscious is wrestling with the other man on the ground and feeling the knife sink into the other man’s chest. When Craig comes to, there’s no one around the campsite but a small black dog. “No white girl or black man. I didn’t even see any blood on the ground,” says Craig, who wants Easy to find out where they went and whether he killed the man. Easy’s got an inventory of questions, chiefly how somebody like Craig got referred to him in the first place. Nevertheless, Easy, who served in Europe during World War II, takes the case, partly in solidarity with a fellow vet’s travails. It doesn’t take long for Easy to begin regretting this decision as he finds himself fitfully making his way through a minefield of thieves, crime bosses, prostitutes, goons, and, as always, racist White cops who even after a decade of civil rights laws, race riots, and cultural upheaval can’t bring themselves to acknowledge that a smart, self-possessed Black man like Easy Rawlins, who at this point in the series is pushing 50, deserves to drive around LA in a yellow Rolls Royce that belongs to him.
It’s hard to believe Mosley once gave serious thought to killing off his first detective hero. He’s still got plenty of game.Pub Date: Feb. 2, 2021
ISBN: 978-0-316-49118-1
Page Count: 336
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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BOOK TO SCREEN
by Evelyn Clarke ‧ RELEASE DATE: April 7, 2026
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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