The debates meant to be the volume’s backbone are heartfelt dramatizations of familiar positions, and the Big Nickel’s...
Ex-con Socrates Fortlow, the conscience of South Central Los Angeles (Walkin’ the Dog, 1999, etc.), returns for another dozen interlinked adventures, most of them revolving around dialogues on tough or taboo subjects.
Years after he was released from prison for rape and homicide, Socrates has a new project: the Big Nickel, a community center whose premises he cleverly acquires in the opening story. Every week, the Thursday Night Thinkers’ Meeting convenes. During the meeting members discuss “the world and what would be the right thing to do.” Since the Thursday night group includes gambler Billy Psalms, murderer Ronald Zeal, his attorney Cassie Wheaton, singer Marianne Lodz, her silent friend Luna Barnet, carpenter Antonio Peron, wealthy junk man Chaim Zetel and karate master Wan Tai, lively disagreements are guaranteed, especially when the discussion turns, as it often does, to race. While Socrates and his friends celebrate the power of arguments in their safe space to produce deeper insights, events from outside keep intruding. A much younger member of the group confesses her love to Socrates. He finds an unexpected source of funding that helps him dramatically expand his outreach. His adoptive son Darryl is shot. The LAPD, suspicious of the Big Nickel, uses an informant to infiltrate the group. A baseless search of the premises leads Socrates to threaten Capt. Telford Winegarten, of the Anti-gang Tactical Division, with a lawsuit. Socrates and Billy Psalms, on a trip to San Francisco, get arrested for Driving While Black. And in the climactic story, Socrates once more stands trial for murder.
The debates meant to be the volume’s backbone are heartfelt dramatizations of familiar positions, and the Big Nickel’s achievements seem a little utopian. The main attraction, as usual, is Socrates, whose manful attempts to live out his dialectic on the mean streets of Watts make him a hero worthy of his namesake.Pub Date: Oct. 13, 2008
ISBN: 978-0-465-00525-3
Page Count: 280
Publisher: Basic Civitas
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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