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THE RIGHT MISTAKE

THE FURTHER PHILOSOPHICAL INVESTIGATIONS OF SOCRATES FORTLOW

The debates meant to be the volume’s backbone are heartfelt dramatizations of familiar positions, and the Big Nickel’s...

Ex-con Socrates Fortlow, the conscience of South Central Los Angeles (Walkin’ the Dog, 1999, etc.), returns for another dozen interlinked adventures, most of them revolving around dialogues on tough or taboo subjects.

Years after he was released from prison for rape and homicide, Socrates has a new project: the Big Nickel, a community center whose premises he cleverly acquires in the opening story. Every week, the Thursday Night Thinkers’ Meeting convenes. During the meeting members discuss “the world and what would be the right thing to do.” Since the Thursday night group includes gambler Billy Psalms, murderer Ronald Zeal, his attorney Cassie Wheaton, singer Marianne Lodz, her silent friend Luna Barnet, carpenter Antonio Peron, wealthy junk man Chaim Zetel and karate master Wan Tai, lively disagreements are guaranteed, especially when the discussion turns, as it often does, to race. While Socrates and his friends celebrate the power of arguments in their safe space to produce deeper insights, events from outside keep intruding. A much younger member of the group confesses her love to Socrates. He finds an unexpected source of funding that helps him dramatically expand his outreach. His adoptive son Darryl is shot. The LAPD, suspicious of the Big Nickel, uses an informant to infiltrate the group. A baseless search of the premises leads Socrates to threaten Capt. Telford Winegarten, of the Anti-gang Tactical Division, with a lawsuit. Socrates and Billy Psalms, on a trip to San Francisco, get arrested for Driving While Black. And in the climactic story, Socrates once more stands trial for murder.

The debates meant to be the volume’s backbone are heartfelt dramatizations of familiar positions, and the Big Nickel’s achievements seem a little utopian. The main attraction, as usual, is Socrates, whose manful attempts to live out his dialectic on the mean streets of Watts make him a hero worthy of his namesake.

Pub Date: Oct. 13, 2008

ISBN: 978-0-465-00525-3

Page Count: 280

Publisher: Basic Civitas

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2008

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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