by Walter Mosley ‧ RELEASE DATE: Oct. 10, 2023
Fast-moving action and jaw-dropping twists move this slim volume along at a dizzying rate.
An unsuspecting host finds himself at the center of a supernatural plot to eradicate life from the planet.
Rattled awake from a disorienting slumber—and apparently unaware of his own nudity and physical arousal—mild-mannered Black family man Marty Just wanders onto his balcony, the elaborate details of an intergalactic plan to end life on Earth seared into his mind. “Mama, look!” a neighbor child cries, and from that moment, Marty's week only gets weirder: He's arrested for public indecency; kills his vile, racist cellmate in a fugue state of self-defense; posts bail and returns home, only to encounter Aryan gang members ready to avenge their murdered leader. Until this point, the question of whether Marty has suffered a psychotic break or schizophrenic episode is unresolved, but then something inside Marty—an entity called Temple—takes over, attacking the racist thugs with his teeth, biting and tearing the life out of them in a marvelously frenzied action sequence. As it turns out, not only can Temple summon inhuman strength, he can resurrect the dead (!), and he recruits the formerly lifeless racists to help him prevent the encroaching genocide, personified by Tor Waxman, the Angel of Death. Equal parts body horror and necromancy, the book has cinematic fast cuts and an explosive pace that make it read like a Black Mirror episode set against the Hollywood Hills. While a subplot about Marty's pending legal woes adds little to the excitement (it wouldn't be Mosley without sharp-tongued lawyers and pushy cops), the novel is complicated in compelling ways by the racial dynamics and overt gestures toward a pandemic, as Tor Waxman spreads feverish death via unseen contagion to nearly 5,000 souls.
Fast-moving action and jaw-dropping twists move this slim volume along at a dizzying rate.Pub Date: Oct. 10, 2023
ISBN: 9780802161840
Page Count: 176
Publisher: Atlantic Monthly
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Agustina Bazterrica ; translated by Sarah Moses ‧ RELEASE DATE: March 4, 2025
A somber reflection on an increasingly hostile world.
As the world dies, the remnants of the patriarchy and their minions keep right on terrorizing the weak.
Caustically original in the same fashion as her chilling Tender Is the Flesh (2020), Bazterrica’s latest devises an end-of-the-world scenario with a Handmaid’s Tale vibe. The most palpable tragedy is that no matter how the world dies, women always seem to end up with the same sorry fortune. The story is set in an unknown wasteland where all the animals on Earth have perished, with callouts to a mysterious, poisonous haze and a collapsed world. Our narrator is a young woman relegated to sheltering in the House of the Sacred Sisterhood, an isolated, fundamentalist order subservient to an unseen, deity-like “He,” and divided into strict castes. Among these are the Enlightened, kept isolated from the rest of the order behind a mysterious black door; the Chosen, divine and devoted prophets who are ritually mutilated; and the servants marked by contamination, who sit just below the narrator’s caste, the unworthy young women. The story is a little tough to follow due to the narrator’s fragmented memory, not to mention lots of interruptions from the old ultraviolence and body horror. Although men are banned from the cloistered stronghold, it’s a relentlessly sadistic and violent society ruled by the Superior Sister, enforcer of His will and the instrument of punishment up to and including torture and death. The narrator is already mourning Helena, a spirited iconoclast who couldn’t survive under such oppression, when a new arrival named Lucía sparks fresh hope that may prove as fruitless as everything else in this bleak testament to suffering. As a subversion of expectations and an indictment of unchecked power, it’s unflinching and provocative, but readers expecting a satisfying denouement may be left wanting.
A somber reflection on an increasingly hostile world.Pub Date: March 4, 2025
ISBN: 9781668051887
Page Count: 192
Publisher: Scribner
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
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by Agustina Bazterrica translated by Sarah Moses
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by Ariana Harwicz ; translated by Sarah Moses & Carolina Orloff
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