by Walter Mosley ‧ RELEASE DATE: Oct. 10, 2023
Fast-moving action and jaw-dropping twists move this slim volume along at a dizzying rate.
An unsuspecting host finds himself at the center of a supernatural plot to eradicate life from the planet.
Rattled awake from a disorienting slumber—and apparently unaware of his own nudity and physical arousal—mild-mannered Black family man Marty Just wanders onto his balcony, the elaborate details of an intergalactic plan to end life on Earth seared into his mind. “Mama, look!” a neighbor child cries, and from that moment, Marty's week only gets weirder: He's arrested for public indecency; kills his vile, racist cellmate in a fugue state of self-defense; posts bail and returns home, only to encounter Aryan gang members ready to avenge their murdered leader. Until this point, the question of whether Marty has suffered a psychotic break or schizophrenic episode is unresolved, but then something inside Marty—an entity called Temple—takes over, attacking the racist thugs with his teeth, biting and tearing the life out of them in a marvelously frenzied action sequence. As it turns out, not only can Temple summon inhuman strength, he can resurrect the dead (!), and he recruits the formerly lifeless racists to help him prevent the encroaching genocide, personified by Tor Waxman, the Angel of Death. Equal parts body horror and necromancy, the book has cinematic fast cuts and an explosive pace that make it read like a Black Mirror episode set against the Hollywood Hills. While a subplot about Marty's pending legal woes adds little to the excitement (it wouldn't be Mosley without sharp-tongued lawyers and pushy cops), the novel is complicated in compelling ways by the racial dynamics and overt gestures toward a pandemic, as Tor Waxman spreads feverish death via unseen contagion to nearly 5,000 souls.
Fast-moving action and jaw-dropping twists move this slim volume along at a dizzying rate.Pub Date: Oct. 10, 2023
ISBN: 9780802161840
Page Count: 176
Publisher: Atlantic Monthly
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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BOOK REVIEW
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Keanu Reeves & China Miéville ‧ RELEASE DATE: July 23, 2024
A well-written if elusive treat for fans of modern mythologizing.
In which the Angel of Death really wants to take a holiday.
“Memory is a labyrinth.” Or perhaps a matrix. Actor Reeves teams up with speculative fictionist Miéville to produce a tale that definitely falls into the latter’s “weird fiction” subgenre. The chief protagonist is the demi-divine Unute, known as B. He’s not nice: “That man does not kill children anymore, when he can avoid doing so, but still, leave him alone,” warns one of the narrators, whose threads of story are distinguished by different typefaces. B is a killer—early on, he explains to a psychiatrist, “I kill and kill and kill again,” adding that he’d really rather be doing something else. B is also curious about the way things work, which leads him to experiment on unfortunate deer-pigs, the babirusa of Indonesia, to try to suss out what allows him to die but then come back to life, learning that he’s not so much immortal as “infinitely mortal.” B, as one might imagine, isn’t the life of the party—and the reader will be forgiven for being a little grossed out by his experiments, which are infinitely grisly (“A gush of cream- and rust-colored slime sopped out and across the gurney and onto the floor to mix with soapy water”). The structure of the story is both metaphorical (albeit B professes little patience with metaphor), with Unute morphing into Death itself, and rather loose, the plot picking up hints dropped earlier. It’s not always easy to follow, but it’s clear that Reeves and Miéville are having fun with the tale and its often playful, even poetic language (“the huff-huff of horny hard feet on the scuffed corporate carpet, a stepping closer, an incoming, a meeting about to be”).
A well-written if elusive treat for fans of modern mythologizing.Pub Date: July 23, 2024
ISBN: 9780593446591
Page Count: 352
Publisher: Del Rey
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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SEEN & HEARD
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