THE SILENT ROOM

With a plot that mirrors April Henry’s rather shallow Shock Point (February 2006), Sorrells delivers a more convincing portrait of a teen victimized by a new stepfather and placed in a school that is a virtual prison, complete with torture. Sorrells frames the story in the form of letters written by “Oz” to his dead father. Oz’s mom marries a vicious, controlling man who appears to be trying to get rid of the boy. When he sends Oz to a school for troubled youth, Oz learns that there is even more to the plan, and that not only he but all his fellow students are in mortal danger. While some plot points stretch credulity a bit, as one expects in suspense stories, nevertheless the story zooms along with real suspense and pace. Oz’s character moves toward maturity as he takes charge of his own life. This one’s a thriller that really thrills. (Fiction. YA)

Pub Date: June 1, 2006

ISBN: 0-525-47697-0

Page Count: 192

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2006

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TWILIGHT

From the Twilight series , Vol. 1

Sun-loving Bella meets her demon lover in a vampire tale strongly reminiscent of Robin McKinley’s Sunshine. When Bella moves to rainy Forks, Wash., to live with her father, she just wants to fit in without drawing any attention. Unfortunately, she’s drawn the eye of aloof, gorgeous and wealthy classmate Edward. His behavior toward Bella wavers wildly between apparent distaste and seductive flirtation. Bella learns Edward’s appalling (and appealing) secret: He and his family are vampires. Though Edward nobly warns Bella away, she ignores the human boys who court her and chooses her vampiric suitor. An all-vampire baseball game in a late-night thunderstorm—an amusing gothic take on American family togetherness that balances some of the tale’s romantic excesses—draws Bella and her loved ones into terrible danger. This is far from perfect: Edward’s portrayal as monstrous tragic hero is overly Byronic, and Bella’s appeal is based on magic rather than character. Nonetheless, the portrayal of dangerous lovers hits the spot; fans of dark romance will find it hard to resist. (Fantasy. YA)

Pub Date: Oct. 1, 2005

ISBN: 0-316-16017-2

Page Count: 512

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2005

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A riveting tour de force.

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SADIE

Sadie is seeking her sister’s killer; months later, podcast producer West McCray seeks to learn why Sadie abandoned her car and vanished.

When Mattie was born to Claire, a white, drug-addicted, single mother, Sadie, 6, became her de facto parent. Her baby sister’s love filled a hole in Sadie’s fiercely protective heart. Claire favored Mattie, who remained attached to her long after Claire disappeared from their grim, trailer-park home in rural Colorado. Sadie believes that Mattie’s determination to find Claire—which Sadie opposed—led to her brutal murder at age 13. Now 19, Sadie sets out to find and kill the man she holds responsible for her sister’s murder. Interwoven with Sadie’s first-person account is the transcript of McCray’s podcast series, The Girls, tracking his efforts to learn what’s happened to Sadie, prompted and partly guided by the sisters’ sympathetic neighbor. West’s off-the-record conversations are also included. Sadie is smart, observant, tough, and at times heartbreakingly vulnerable, her interactions mediated by a profound stutter. In the podcast, characters first seen through Sadie’s ruthless eyes further reveal (or conceal) their interactions and motives. Like Salla Simukka’s Lumikki Andersson, Sadie’s a powerful avatar: the justice-seeking loner incarnated as a teenage girl. Sadie exempts no one—including herself—from her unsparing judgment. Conveyed indirectly through its effect on victims, child sexual abuse permeates the novel as does poverty’s intergenerational legacy.

A riveting tour de force. (Thriller. 14-18)

Pub Date: Sept. 4, 2018

ISBN: 978-1-250-10571-4

Page Count: 320

Publisher: Wednesday Books

Review Posted Online: June 18, 2018

Kirkus Reviews Issue: July 1, 2018

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