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ASH FALLS

A moody, haunting foray into rural Americana in the mold of Daniel Woodrell and Christian Kiefer.

A man’s past haunts the citizens of an isolated, rural Pacific Northwest town.

Ernie Luntz has been serving time in Walla Walla for murder and is now being transported by car to a medium security prison when the driver has a heart attack and the car crashes. Ernie escapes and heads for his hometown, Ash Falls. Read (The Lyncher in Me, 2008) meticulously weaves the gritty, hard-knock lives of many men and women from this impoverished, rural town in mountainous Washington into “tight little complicated knots.” It’s October, a “time of mud and muck and creeping molds,” of “gloom and regret.” A series of chapters, each titled after a different character (or sometimes two) and told in the third person with frequent flashbacks, are our signposts. Ernie’s wife, Bobbie, is a part-time nurse at the high school their son, Patrick, attends. He works at Tin Dorsay’s mink farm after school. He’s gay and likes Mama T’s son, Shadow. Hank Kelleher, who’s pushing 60, used to teach at the high school and now sells pot for medicinal purposes to neighbors. He and Bobbie might have had an affair. His sister, Lyla, is married to Jonas Henry. Their son, Eugene, Hank’s nephew, is married to Marcelle. The young couple lives in Eugene’s parents’ basement. Marcelle works as a housekeeper at the Sleep Inn run by Melvin White. Eugene works at Benny’s garage. Chapter by chapter we come to know these people, their struggles and fears. We learn that four years earlier Ricky Cordero said “something,” maybe directed at Patrick. Bobbie “couldn’t tell what.” Ernie, a Vietnam War vet who suffered from “demons” and had a “hair trigger temper,” beat Ricky to death. In this small town that “can’t keep its mouth shut,” word of Ernie’s escape looms like a threatening thundercloud over the forests and rivers.

A moody, haunting foray into rural Americana in the mold of Daniel Woodrell and Christian Kiefer.

Pub Date: July 1, 2017

ISBN: 978-1-63246-047-9

Page Count: 306

Publisher: Ig Publishing

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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