G-fans will not be disappointed.

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From the Clandestine Operations series , Vol. 1

Opening his Clandestine Operations series, Griffin (Empire and Honor, 2012, etc.) drafts warriors from his Honor Bound series to confront post–World War II communist aggression. 

It’s late 1945. Army Lt. James Cronley, scion of a Texas ranching family, has played a significant role in frustrating die-hard Nazi attempts to cache bomb-grade uranium in Argentina. By direct order of President Harry S. Truman, Cronley’s promoted to captain for his exploits. He returns to Germany and his Army assignment at a Counterintelligence Corps project wringing intel out of "good German" remnants of Abwehr Ost, an intelligence unit that developed critical information about the Soviet Union. Cronley’s soon trapped in a bureaucratic knife fight among veterans of the Office of Strategic Services (covert operations warriors), CIC loyalists, other Army units and the FBI. Set mostly at an isolated and abandoned Bavarian monastery and elsewhere in Germany, the narrative’s ripe with meetings, confrontations, lies and subterfuge rather than gunplay. The dialogue is standard Griffin sarcasm and one-upmanship, driving a plot which requires getting a captured Russian agent from the Abwehr Ost camp to Argentina. Back in the U.S., Cronley elopes with a young American woman he met during his Argentine expedition, but his bride is killed in a car wreck a day later. Less than a week later, he sleeps with a colonel’s wife, and it becomes clear that Griffin’s male-female interactions will be sex rather than romance. The Griffin style remains immutable: short chapters, macho attitudes, stiff upper lip when threatened, no-sweat heroics, much love for military equipment and weaponry and protocol. That familiarity makes the occasional minor error more notable, and it makes one good-guy escape from the hangman problematic. In keeping with Clandestine Operations' raison d’être, Griffin’s sketch of the immediate post–WWII bureaucratic territorial clashes has purpose; it’s an outline of how the demobilized OSS hot-war heroes became passionate CIA cold warriors.

G-fans will not be disappointed.

Pub Date: Aug. 5, 2014

ISBN: 978-0-399-17123-9

Page Count: 528

Publisher: Putnam

Review Posted Online: June 29, 2014

Kirkus Reviews Issue: July 15, 2014

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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Amateurish, with a twist savvy readers will see coming from a mile away.

THE SILENT PATIENT

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 4, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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