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BABY LOVES TO BOOGIE!

Fans of Baby Loves to Rock will get a kick out of this infant’s moves, but the humor is still too adult to pretend this is a...

A baby and a bevy of animals demonstrate a variety of dance moves.

With one sentence per page, the text is a mix of puns, jokes and rhymes that, while clever, will likely go over the heads of core board-book readers: “The apes like to orang-o-tango / and the sloths like to slow dance. // The kangaroos can boogaloo, / and the flamingo can flamenco.” Each critter mentioned is depicted in bright colors dancing in their requisite style against bold backgrounds. The goofy cartoons are not as successful as those in Kirwan’s earlier offering, Baby Loves to Rock (2013), but the tap-dancing woodpecker and the toucan doing the cancan are delightful standouts. As in the first title, a double-page spread appears at three different junctures, asking a variation of “But who loves to boogie?” in a graphic, bold display type floating in a disco setting. On the last two pages, readers learn that “Baby loves to boogie, woogie, / BOOGIE!” and three images of a Caucasian baby, likely the same child in as the companion title, bop across the page.

Fans of Baby Loves to Rock will get a kick out of this infant’s moves, but the humor is still too adult to pretend this is a book for actual babies. (Board book. 1-3)

Pub Date: June 24, 2014

ISBN: 978-1-4814-0383-2

Page Count: 30

Publisher: Little Simon/Simon & Schuster

Review Posted Online: June 9, 2014

Kirkus Reviews Issue: July 1, 2014

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MERRY CHRISTMAS, LITTLE POOKIE

The small size, a predictable winter adventure, and Boynton’s very toddlerlike character make this a fine stocking stuffer...

Seven years after Little Pookie (2011) first appeared, this popular piglet is finally celebrating Christmas.

“Oh Pookie! Come look! It’s beginning to snow,” says a maternal-looking pig. But where did Pookie go? Past the Christmas tree, to put on a snowsuit of course. Pookie’s ever cheerful mama is willing to go out too. After all, “It’s a magical time to be walking with you.” When she observes, “Our noses are frozen. It’s time to go in,” Pookie protests in typical toddler style: “But I’m not c-c-c-cold!” The next three pages highlight indoor holiday preparations—making paper garlands, baking and decorating cookies. The rhyming text mirrors the spare illustrations. A spidery type that emulates handwriting makes it clear when Pookie is speaking. Then “the doorbell is ringing. / Our family and friends have arrived for the singing.” The second-to-last spread shows Pookie, mama, and six other pigs—and Boynton’s requisite chicken—singing (“Con brio”), “MER-RY CHRIST-MAS! MER-RY CHRIST-MAS! AND A HAP-PY NEW YEAR!” Conveniently, this text is placed beneath the musical notation. Finally Pookie hangs a stocking and goes off to bed without any fuss, anticipating presents on Christmas morning.

The small size, a predictable winter adventure, and Boynton’s very toddlerlike character make this a fine stocking stuffer or an ideal Christmas Eve read to share with other little piggies. (Board book. 18 mos.-3)

Pub Date: Sept. 18, 2018

ISBN: 978-1-5344-3724-1

Page Count: 18

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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THE ITSY BITSY BUNNY

Leave the hopping to Peter Cottontail and sing the original song instead.

An Easter-themed board-book parody of the traditional nursery rhyme.

Unfortunately, this effort is just as sugary and uninspired as The Itsy Bitsy Snowman, offered by the same pair in 2015. A cheerful white bunny hops through a pastel world to distribute candy and treats for Easter but spills his baskets. A hedgehog, fox, mouse, and various birds come to the bunny’s rescue, retrieving the candy, helping to devise a distribution plan, and hiding the eggs. Then magically, they all fly off in a hot air balloon as the little animals in the village emerge to find the treats. Without any apparent purpose, the type changes color to highlight some words. For very young children every word is new, so highlighting “tiny tail” or “friends” makes no sense. Although the text is meant to be sung, the words don't quite fit the rhythm of the original song. Moreover, there are not clear motions to accompany the text; without the fingerplay movements, this book has none of the satisfying verve of the traditional version.

Leave the hopping to Peter Cottontail and sing the original song instead. (Board book. 1-3)

Pub Date: Jan. 5, 2016

ISBN: 978-1-4814-5621-0

Page Count: 16

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: July 1, 2016

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