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FLIPPED

Proof that the course of pubescent love never runs smooth. When Bryce and Julianna (Juli) meet, they are both seven and Bryce has just moved in across the street. For Juli, it is love at first sight: “The day I first met Bryce Loski, I flipped. Honestly, one look at him and I became a lunatic. It’s his eyes.” As far as Bryce is concerned, the feeling is definitely not mutual: “All I’ve ever wanted is for Juli Baker to leave me alone. For her to back off—you know, just give me some space.” Six years after their meeting, Bryce is something of a judgmental priss (just like his father), and Juli is full of passion and enthusiasm for life. But in their eighth-grade year, Juli’s fight to save an old tree from being cut down causes Bryce to look at Juli with growing admiration—just at the same time that Juli finally realizes that Bryce’s character does not measure up to his eyes. The story is told in both voices, in alternating chapters that develop from a sort of “he said, she said” dialogue into an exploration of perception, misapprehension, and context. Van Draanen (Sammy Keyes and the Hollywood Mummy Mystery, 2000, etc.) deftly manages the difficult task of establishing and maintaining the reader’s sympathy with both characters. The text stretches credibility in a couple of ways, especially with the premise that a seven-year-old is capable of a long-lasting romantic infatuation. It is, nevertheless, a highly agreeable romantic comedy tempered with the pointed lesson (demonstrated by the straining of Bryce’s parents’ marriage) that the “choices you make now will affect you for the rest of your life.” (Fiction. 10-14)

Pub Date: Oct. 1, 2001

ISBN: 0-375-81174-5

Page Count: 224

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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BURIED ONIONS

Eddie, a young Mexican-American scraping by in the mean streets of Fresno, California, counts four dead relatives and one dead friend in the opening, in-your-face lines of this new novel from Soto (Snapshots from the Wedding, p. 228, etc.). In bleak sentences of whispered beauty, Eddie tells how he dropped out of vocational college and is attempting to get by with odd jobs. His aunt and friends want him to avenge the recent murder of his cousin, but Eddie just wants to find a way out. Everything he tries turns soura stint doing yard work ends when his boss's truck is stolen on Eddie's watchand life is a daily battle for survival. This unrelenting portrait is unsparing in squalid details: The glue sniffers, gangs, bums, casual knifings, filth, and stench are in the forefront of a life without much hope``Laundry wept from the lines, the faded flags of poor, ignorant, unemployable people.'' Soto plays the tale straightthe only sign of a ``happy'' ending is in Eddie's joining the Navy. The result is a sort of Fresno Salaam Bombay without the pockets of humanity that gave the original its charm. A valuable tale, it's one that makes no concessions. (glossary) (Fiction. 12-14)

Pub Date: Sept. 1, 1997

ISBN: 0-15-201333-4

Page Count: 148

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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THE WATSONS GO TO BIRMINGHAM--1963

Curtis debuts with a ten-year-old's lively account of his teenaged brother's ups and downs. Ken tries to make brother Byron out to be a real juvenile delinquent, but he comes across as more of a comic figure: getting stuck to the car when he kisses his image in a frozen side mirror, terrorized by his mother when she catches him playing with matches in the bathroom, earning a shaved head by coming home with a conk. In between, he defends Ken from a bully and buries a bird he kills by accident. Nonetheless, his parents decide that only a long stay with tough Grandma Sands will turn him around, so they all motor from Michigan to Alabama, arriving in time to witness the infamous September bombing of a Sunday school. Ken is funny and intelligent, but he gives readers a clearer sense of Byron's character than his own and seems strangely unaffected by his isolation and harassment (for his odd look—he has a lazy eye—and high reading level) at school. Curtis tries to shoehorn in more characters and subplots than the story will comfortably bear—as do many first novelists—but he creates a well-knit family and a narrator with a distinct, believable voice. (Fiction. 10-12)

Pub Date: Oct. 1, 1995

ISBN: 0-385-32175-9

Page Count: 210

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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