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MOTHER LOAD

An inspirational addiction-recovery tale that pulls no punches.

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After decades of drug use, an addict finds a path to sobriety in order to save her relationship with her sons in this debut memoir.

In 1960, when Adamson was 7 years old, her father took her out for lunch and told her that her mentally ill mother had had a heart attack and died. It was a secret, he said, but the author writes that she had “another secret”: She thought she’d caused her mother’s demise by wishing her dead. She was 13 when she finally learned that her mother had actually committed suicide. Eventually, Adamson turned to drugs in an effort to dull her pain, and a meth-fueled incident that she describes as a “psychotic break” was a turning point. It happened in 1991, she says, when she realized that her husband of 20 years, Max, was having an affair with Cat, another drug abuser. When the couple pulled up in Cat’s car, she ran into the street and fired a pistol at them, hitting Cat in the arm. Adamson was sentenced to a year in Los Angeles county jail, which would prove to be the catalyst that she needed to change her life; it was followed by three difficult years of supervised probation. She and her younger son Rikki moved into a shared apartment in a women and children’s center in Santa Monica, which proved to be a new beginning. There are a few distracting errors in the text, such as “I saw rage flash across Max face who was directly behind him.” However, Adamson’s prose is gritty and poignant, as when she describes her “bone-crushing depression” in jail, where she knew she had to maintain a tough exterior: “I had to keep chanting to myself not to cry. I felt like road kill that only kept moving because my heart didn’t know enough to stop pumping blood.” She doesn’t sugarcoat anything in this powerful narrative, nor does she wallow in self-pity. Along the way, she tells of the people who helped her on the path to sobriety; fittingly, she later became a counselor in a detox center herself.

An inspirational addiction-recovery tale that pulls no punches. 

Pub Date: N/A

ISBN: 978-1-945436-24-6

Page Count: 241

Publisher: ROTHCO PRESS

Review Posted Online: May 4, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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