A rhyming story about the pangs of leaving the beach house at summer's end. A little girl says goodbye to ocean, dunes, shells, gulls, the freshwater pond, boats, buoys, foghorns, and even, in pages reminiscent of Robert McCloskey's classic Time of Wonder (1957), to rainy nights and hurricanes. Back in the city, the shells in her pocket and sand in her shoes remind her that the ocean house is awaiting her return next year. The subtle tones of Himler's watercolor and gouache paintings capture the look of sea and northeastern shore under the diffused, late-season light as well as the smoggy, filmed-over gray of the city. A grouping of this book, the McCloskey, Alison Shaw's recent Until I Saw the Sea (p. 475), Charlotte Zolotow's The Seashore Book (1992), and Burton Albert's Where Does the Trail Lead? (1991) makes a splendid exercise in comparison and contrast: similar settings, varied illustrative media, different literary forms, same intense evocation of a child's affinity for the seashore. (Picture book. 4- 8)

Pub Date: May 22, 1995

ISBN: 0-7868-0057-7

Page Count: 32

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 1995

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A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)

Pub Date: April 1, 1996

ISBN: 0-8037-1530-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1996

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A marketing trip from Miranda (Glad Monster, Sad Monster, p. 1309) that jiggity jigs off in time-honored nursery-rhyme fashion, but almost immediately derails into well-charted chaos. The foodstuffs—the fat pig, the red hen, the plump goose, the pea pods, peppers, garlic, and spice—are wholly reasonable in light of the author's mention of shopping at traditional Spanish mercados, which stock live animals and vegetables. Stevens transfers the action to a standard American supermarket and a standard American kitchen, bringing hilarity to scenes that combine acrylics, oil pastels, and colored pencil with photo and fabric collage elements. The result is increasing frazzlement for the shopper, an older woman wearing spectacles, hat, and purple pumps (one of which is consumed by her groceries). It's back to market one last time for ingredients for the hot vegetable soup she prepares for the whole bunch. True, her kitchen's trashed and she probably won't find a welcome mat at her supermarket hereafter, but all's well that ends well—at least while the soup's on. (Picture book. 4-8)

Pub Date: Oct. 1, 1997

ISBN: 0-15-200035-6

Page Count: 36

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 15, 1997

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