by Wendy Lesser ‧ RELEASE DATE: May 5, 2020
Perfect for any die-hard fan of Scandinavian mysteries and culture.
An enthusiastic guide to the mysteries and the countries.
Threepenny Review founder Lesser, whose biography of Louis Kahn, You Say to Brick (2017), won multiple awards, has been a huge fan of Scandinavian mysteries since college. She shares her “eccentric and personal” excitement for them in this comprehensive and insightful assessment of noir novels from Sweden, Norway, and Denmark. “What I have constructed here,” she writes, “is a map, or a portrait, or a cultural history of a place that both exists and does not exist.” Early on, Lesser shares how the ten-book series about Swedish homicide detective Martin Beck, written together in alternating chapters by Maj Sjöwall and Per Wahlöö, “changed my life.” Beck’s friend Lennart Kollberg is “one of the great characters of detective fiction.” In Lesser’s opinion, the only series that approaches Beck’s in its “persuasively real experience” is Henning Mankell’s Kurt Wallander series. The author found Stieg Larsson’s uber-popular Lisbeth Salander series “un-putdownable” even though she “despised the cheap feminism of the books.” In the first section, Lesser broadly discusses all the novels via nifty alphabetically sequenced topics, from alcohol, erotica, and religion to xenophobia and zealous. She clearly has her finger on the pulse of Scandinavian society, discussing such topics as childhood abuse, obsessive references to original art, a scarcity of Jewish as well as female and gay cops, and sadism (“the worst sadist in all of Scandinavian literature is Karin Fossum,” whose novels are disturbing in a way that is “manipulatively, personally, intentionally pain-inducing”). In the second section, Lesser switches to third person as “she” describes a personal tour of the three countries. She feels at home in Sweden; Stockholm is “even lovelier than she expected.” In Oslo, a policeman tells her they only have about 12 homicides per year, and “compared to Oslo or Stockholm, Copenhagen is definitely a bit grungy.” Lesser’s opinionated Appendix summarizes the series that she has read, and her recommended list of TV adaptations is user-friendly as well.
Perfect for any die-hard fan of Scandinavian mysteries and culture.Pub Date: May 5, 2020
ISBN: 978-0-374-21697-9
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: Jan. 14, 2020
Kirkus Reviews Issue: Feb. 15, 2020
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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